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Collection's Items (Sorted by Submit Date in Descending order): 10141 to 10160 of 17595
Issue DateTitleAuthor(s)
1988Introduction: The Doubled Vision of Edward BellamyPatai, Daphne; Patai, Daphne
1993Imagining Reality: The Utopian Fiction of Katharine BurdekinIngram, Angela; Patai, Daphne; Patai, Daphne
1985IntroductionPatai, Daphne
1993ForewordPatai, Daphne
1994Edward BellamyBuhle, Mari Jo; Buhle, Paul; Kaye, Harvey; Patai, Daphne
1989fterwordPatai, Daphne
1993AfterwordPatai, Daphne
1993Fantasy and Identity: The Double Life of a Victorian Sexual RadicalIngram, Angela; Patai, Daphne; Patai, Daphne; Ingram, Angela
1994Munsalvaesche ou utopie wolframienne du GralPastre, Jean-Marc
2005Géants, initiations et rituels dans la matière de TristanThomasset, Claude; James-Raoul, Danièle; Pastré, Jean-Marc
2000The Death of the Author and the Power of Addiction in Naked Lunch and Blade RunnerSayer, Karen; Moore, John; Pastorino, Gloria
2011opia in Latin America: Cartographies and ParadigmsBeauchesne, Kim; Santos, Allesandra; Pastor, Beatriz
2003Gulliver’s ‘Temple of Fame’: Glubbdubdrib RevisitedReal, Hermann; Stöver-Leidig, Helgard; Passman, Dirk
2004Der Beitrag der Erinnerung zur UtopieRüsen, Jörn; Fehr, Michael; Ramsbrock, Annelie; Passerini, Luisa
2010De l’Utopie fondamentaleBerthet, Dominique; Passeron, René
2009La critique de l’utopie du ‘Jugendstil’ autrichen dans les écrits d’Adolf LoosBrey, Gérard; Gilli, Marita; Pasetzky, Gilda
1992Margaret Atwood: The Handmaid’s TaleBusse, Wilhelm; Pasche, Walter
2009Utopia and Utopianism in the Life, Work, and Thought of H.G. WellsWestfahl, Gary; Slusser, George; Partington, John
2013Changements et métamorphoses des répresentations de l’espace africain dans le conte Leão Velho de Lídia JorgePereira, João Carlos Vitorino; Pascal, Anne-Marie
2000Modernity as a Project and as Self-Criticism: The Historical Dialogue between Science Fiction and UtopiaSayer, Karen; Moore, John; Paschalidis, Gregory
Collection's Items (Sorted by Submit Date in Descending order): 10141 to 10160 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.