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Collection's Items (Sorted by Submit Date in Descending order): 10181 to 10200 of 17595
Issue DateTitleAuthor(s)
2015Satanism and Genetics: Haldane’s Daedalus and Its BegettersParrinder, Patrick
2011Satanism and Genetics: From Frankenstein to J.B.S. Haldanes Daedalus and BeyondSpinozzi, Paola; Hurwitz, Brian; Parrinder, Patrick
2000Revisiting Suvin’s Poetics of Science FictionParrinder, Patrick; Parrinder, Patrick
1992Landscapes of British Science FictionSlusser, George; Rabkin, Eric; Parrinder, Patrick
2000Introduction: Learning from Other WorldsParrinder, Patrick; Parrinder, Patrick
2005IntroductionParrinder, Patrick; Parrinder, Patrick
2016ForewordGodfrey, Emelyne; Parrinder, Patrick
2015Gorilla Warfare: Darwin, Freud and the Stone Age RomanceParrinder, Patrick
1989IntroductionParrinder, Patrick; Parrinder, Patrick
2001English Futures (1870 to the Present Day)—Erewhon and The City and the Stars: Isolation and EmpireSpinozzi, Paolo; Parrinder, Patrick
2000Edwardian Awakenings: H.G. Wells’s Apocalyptic Romances (1898-1915)Seed, David; Parrinder, Patrick
2016Brave New World as a Modern UtopiaGreenberg, Jonathan; Waddell, Nathan; Parrinder, Patrick
1986Experiments in ProphecyMullin, Michael; Parrinder, Patrick
2003‘You Must Have Seen a Lot of Changes”: Fiction beyond the Twenty-first CenturyBarr, Marleen; Parrinder, Patrick
1992Utopia: consiglio di amministrazioneVergine, Lea; Parmesani, Loredana
2002-Winter‘These Fragments I have shored against our ruins’: Visions of Ruined London from Edmund Spenser to J.G. BallardOnega, Susana; Stotesbury, John; Parrinder, Patrick
1995IntroductionParr, Anthony; Parr, Anthony
1986Editor’s IntroductionParks, Malcolm; Parks, Malcolm
1986Explanatory NotesParks, Malcolm; Parks, Malcolm
2013An Opening of the Wall: Lessing’s The Memoirs of a Survivor as AutobiographyWilson, Sharon; Parl, Sun Hwa
Collection's Items (Sorted by Submit Date in Descending order): 10181 to 10200 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.