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Collection's Items (Sorted by Submit Date in Descending order): 1101 to 1120 of 17595
Issue DateTitleAuthor(s)
1996-WinterThe Time Machine in the Development of Wells’s Social and Political ThoughtSargent, Lyman Tower
1994The Three Faces of Utopianism RevisitedSargent, Lyman Tower
1984-SummerThe Pessimistic Eutopias of H.G. WellsSargent, Lyman Tower
1987-SummerThe Dream Mislaid: The Political Theory of H.G. WellsSargent, Lyman Tower
2015The American Cockaigne from the Sixteenth Century to the Shmoo and BeyondSargent, Lyman Tower
2010Sexual Morality, a New Religion, a State Bank, and World Federation: C.P.W. Longdill’s Proposals for New ZealandConrich, Ian; Sargent, Lyman Tower
2005-01/03Pour une défense de l’utopieSargent, Lyman Tower
1977-12Opportunities for Research on Utopian Literature to 1900Sargent, Lyman Tower
2010Michael Flürscheim: From the Single Tax to Currency ReformSargent, Lyman Tower
1984-SummerMore’s Utopia: An Interpretation of Its Social TheorySargent, Lyman Tower
1982-10/12Is There Only One Utopian TraditionSargent, Lyman Tower
1993-10/11Les directions de recherche actuelles sur l’utopieSargent, Lyman Tower
2008-10Ideology and Utopia: Karl Mannheim and Paul RicoeurSargent, Lyman Tower
2017Ideology and Utopia: Karl Mannheim and Paul Ricoeur.Sargent, Lyman Tower
2012Herbert Sutcliffe and Radiant Living: Self-Help and New Thought in New ZealandSargent, Lyman Tower
2016Five Hundred Years of Thomas More’s Utopia and UtopianismSargent, Lyman Tower
1976-SpringEnglish and American Utopias, Similarities and DifferencesSargent, Lyman Tower
1966Existentialism and Utopianism: A Reply to Frederick L. PolakSargent, Lyman Tower
2016Edward Bellamy’s Boston in 2000 from 1888 to 1897: The Evolution of Bellamy’s Future Boston from Looking Backward Through EqualitySargent, Lyman Tower
2013Calvin Blanchard and The Art of Real PleasureSargent, Lyman Tower
Collection's Items (Sorted by Submit Date in Descending order): 1101 to 1120 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.