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Collection's Items (Sorted by Submit Date in Descending order): 11141 to 11160 of 17595
Issue DateTitleAuthor(s)
2003Genre and Environmentalism: Octavia Butler’s Parable of the Sower, Speculative Fiction, and the African American Slave NarrativeMayer, Sylvia; Mayer, Sylvia
1984Wandlungen des Doktor FaustusWiehn, Erhard; Mayer, Hans
1974Ernst Bloch, Utopie, LiteraturWiehn, Erhard; Mayer, Hans
1991La utopía protestante in AméricaGrimm, Reinhold; Hermand, Jost; Mayer, Alicia
1972Island (1962)May, Keith
1972Brave New World (1932)May, Keith
1972Ape and Essence (1948)May, Keith
2015‘[A]pocalypse Coiled in My Tongue’: Apocalyptic Vision in Margaret Atwood’s PoetryWaltonen, Karma; Maxwell, Lauren Rule
1993The Paths in the Midst of Collapse’: Utopian Direction in Ernst Bloch and Walter BenjaminBaccolini, Raffaella; Fortunati, Vita; Minerva, Nadia; Maxwell, Barry
2011Robert Owen’s Unintended Legacy: Class ConflictThompson, Noel; Chris; Maw, Ben
2011‘Remember the Voices of the Trees’: The Turn from Technology in Kate Willhelm’s Where Late the Sweet Birds SangMilner, Andrew; Sellars, Simon; Burgmann, Verity; Maxwell, Anne
1935H.G. WellsMaurois, André
1982L’Utopie chez les émigrants açoréans au Brésil au XIXe siècleMauro, Frederic
1935Aldous HuxleyMaurois, André
1970WohnenBussiek, Hendrik; Maurer, Hellmut
2010La musique inconnueMaulpoux, Jean-Michel
1997Réécriture du mythe et création d’une utopie chez Jovette MarchessaultCauville, Joëlle; Zupančič, Metka; Mauguière, Bénédicte
1996On the Subversion of Charcater in the Literature of Identity AnxietyLittlewood, Derek; Stockwell, Peter; Maule, Victoria
2013Die vier Endspiele zwischen Utopie und Dystopie. Untergänge und Übergänge in Zeit und RaumChilese, Viviana; Preusser, Heinz-Peter; Matussek, Peter
2003Mayan Utopias: Rethinking the StateRus, Jan; Castillo, Rosalva Aída Hernández; Mattiace, Shannan; Mattiace, Shannan
Collection's Items (Sorted by Submit Date in Descending order): 11141 to 11160 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.