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Collection's Items (Sorted by Submit Date in Descending order): 11461 to 11480 of 17595
Issue DateTitleAuthor(s)
1980IntroductionLynn, Elizabeth
1984La voluntad de transformar el mundoMorente, José Julián; Lynch, Enrique
2001Cinematic Ideologies and Societal Dystopias: Filmmaking in the United States, Japan, Germany, and the Soviet Union, 1900-1996.Lyman, Stanford
1987Knowing the Unknown: Heinlein, Lem, and the FutureSlusser, George; Greenland, Colin; Rabkin, Eric; Lyau, Bradford
1987Das Ende der Wachstumsmechanik als gesellschaftliche HerausforderungBraun, Hans-Jürg; Lutz, Burkart
1986Wasteland Myth in C.S. Lewis’s That Hideous StrengthHokenson, Jan; Pearce, Howard; Lutton, Jeannette Hume
1990Archaeological Socialism: Utopia and Art in William MorrisBoos, Florence; Silver, Carole; Lutchmansingh, Lawrence
1991William Morris’ Review of Bellamy’s Looking BackwardLeibacher-Ouvrard, Lise; Smith, Nicholas; Lutchmansingh, Larry
1895IntroductionLupton, J.
2012The Repeated Fall and the Utopia of Innocence: lord of the Flies (1954)Tomoiagă, Ligia; Barbul, Minodora; Demarcsek, Ramona; Lupşa, Marinella
1971UtopiaLundwall, Sam
2009Madonna in moon rocket with breeches’: Weimar SF Film Criticism During the Stabilisation PeriodBould, Mark; Miéville, China; Luppa, Iris
1977The Eternal Bliss MachineLundwall, Sam
1985Bordewijks ‘Blokken’: Politieke KabbalistiekDe Vos, Luk; Lukkenaer, Pim
1979IntroductionLumby, J. Rawson
1984Marxism and UtopianismAlexander, Peter; Gill, Roger; Lukes, Steven
2005Rappresentare il cyberspazio. Geografie della ReteMezzetti, Carlo; Luigini, Alessandr
1956/1965Utopie und UtopistenLudz, Peter Christian
1986Thomas More’s Utopia: Historical Setting and Literary EffectivenessBoitani, Piero; Torti, Anna; Ludwig, Hans-Werner
2009The Politics of the Network: The Science in the Capital TrilogyBurling, William; Luckhurst, Roger
Collection's Items (Sorted by Submit Date in Descending order): 11461 to 11480 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.