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Collection's Items (Sorted by Submit Date in Descending order): 11601 to 11620 of 17595
Issue DateTitleAuthor(s)
1932IntrodutionLiljegren, S.; Liljegren, S. B.
2002Writing utopiaParker, Martin; Lightfoot, Geoff; Lilley, Simon
2010ForewordCorporaal, Marguérite; Leeuwen, Evert Jan van; Liebregts, Peter
1984-10The Political Economic Problems of 1984Skovmand, Michael; Liebman, Arthur
1982Minne-Utopie im MittelalterGnüg, Hiltrud; Liebertz-Grün, Ursula
1914Einleitung zu dem RomanLiebknecht, Wilhelm; Liebknecht, Wilhelm
1981Vorwart (Mai 1892)Selle, Gert; Liebknecht, Wilhelm
2017Techno-Orientalism and the End of History in Gary Shteyngart’s Super Sad True Love StoryLavender, Isiah, III; Li, Stephanie
2015Poems for Post Lovers 1-3Brodsky, Alexandra; Nalebuff, Rachel Kauder; Lieberman, Charlotte
1965Utopie und Selbstaufklärung der Gesellschaft--Reflexionen zu Ernst Blochs ‘Das Prinzip Hoffnung’Lieber, H.
1973Die Theorie vom intellectus agens als kitisches und utopisches StimulansLey, Hermann
1994Sur la pierre blanche d’Anatole France. Méditation sur l’histoire et représentation utopique de l’avenirDubois, Claude Gilbert; Lhomme, Mireille
1983George Orwell und die Zukunft der Demokratie. Betrachtungen eines amerikanischen PolitologenNeumann, Horst; Scheer, Heinz; Lewy, Guenter
1987Architectural UtopiasKamenka, Eugene; Lewis, Miles
1952Absolute Utopias’Lewis, Wyndham
1952Orwell, or Two and Two Make FourLewis, Wyndham
2006IntroductionLewis, Jonathan; Lewis, John
1997La Fées ont soif: onde sacrale et utopie théâtraleCauville, Joëlle; Zupančič, Metka; Lewis, Manon
1986Zamyatin’s We, the Proletarian Poets, and Bogdanov’s Red StarGary Kern; Lewis, Kathleen; Weber, Harry
2006House of War, House of Peace: The Enlightenment and Terror in The Baroque CycleLewis, Jonathan; Lewis, John
Collection's Items (Sorted by Submit Date in Descending order): 11601 to 11620 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.