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Collection's Items (Sorted by Submit Date in Descending order): 12501 to 12520 of 17595
Issue DateTitleAuthor(s)
1980La fantascienza teologicaRusso, Luigi; Jameson, Fredric
1971Ernst Bloch and the FutureJameson, Fredric
2009If I find one good city I will spare the man’: Realism and Utopia in Kim Stanley Robinson’s Mars TrilogyParrinder, Patrick; Jameson, Fredric
2009Utopia as ReplicationJameson, Fredric
2003IntroductionJames, Susan; James, Susan
1982Nostalgia for Paradise: Terra Australis in the Seventeenth CenturyDonaldson, Ian; James, Trevor
2011H.G. Wells’s The Time Machine and the End of LiteratureSaul, Nicholas; James, Simon; James, Simon
2004Afterword: ‘A Clean Sweep’James, Robert
1996Unwrapping Crusoe: Retrospective and Prospective ViewsSpaas, Lieve; Stimpson, Brian; James, Louis
1993The Black Utopia of Edward Kamau BrathwaiteBaccolini, Raffaella; James, Louis
1993From Robinson to Robina and Beyond: Robinson Crusoe as a Utopian ConceptKumar, Krishan; Bann, Stephen; James, Louis
1990Yellow, black, metal and tentacled: the race question in American science fictionDavies, Philip John; James, Edward
1990Violent Revolution in modern American science fictionDavies, Philip John; James, Edward
2006The Possible Cost of ComplacencyKincaid, Paul; Butler, Andrew; James, Edward
2003Utopias and anti-utopiasMendlesohn, Farah; James, Edward; James, Edward
1995Science Fiction by Gaslight: An Introduction to English-Language Science Fiction in the Nineteenth CenturySeed, David; James, Edward
2000Rewriting the Christian Apocalypse as a Science-Fictional EventSeed, David; James, Edward
2009Russ on Writing Science Fiction and Reviewing ItMendlesohn, Farah; James, Edward
2000Before the Novum: The Prehistory of Science Fiction CriticismParrinder, Patrick; James, Edward
2014Reflections on ‘Yellow, black, metal and tentacled,’ Twenty-Four Years OnLavender, Isiah; James, Edward
Collection's Items (Sorted by Submit Date in Descending order): 12501 to 12520 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.