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Collection's Items (Sorted by Submit Date in Descending order): 12561 to 12580 of 17595
Issue DateTitleAuthor(s)
1958E. Zamyatin’s WeJackson, Robert Louis
2015Foreword.Stock, Paul; Carolan, Michael; Rosin, Christopher; Jackson, Wes
2007UtopiaGalligan, Brian; Roberts, Winsome; Jackson, Michael
1934William Morris and the Arts and Crafts MovementJackson, Holbrook
2008Putting the boot in’: A Clockwork Orange, post-’69 youth culture and the onset of late modernityRoughley, Alan; Jachimiak, Peter Hughes
2012IntroductionJackson, Anna
2006Science Fiction as Historical Novel: Michel Houellebecq’s Les Particules élémentairesMilner, Andrew; Ryan, Matthew; Savage, Robert; Jack, David
2008Tu rêves?’: utopies, dystopies et hétérotopies dans quelques écrits beursWest-Sooby, John; Jaccomard, Hélène
1997Metafiction as Genre: Walter Mosley, Black Betty; Octavia E. Butler, Parable of the SowerJablon, Madelyn
1997Das ästhetische Spiel mit der UtopieJucker, Rolf; Jabłkowska, Joanna
2003Tradition von Schauerliteratur in den apokalyptischen Visionen der NachkriegszeitEsselborn, Hans; Jabłkowska, Joanna
1984De la utopía a la antiutopíaMorente, José Julián; Jabaloy, Federico
2008IntroductionIzzo, David Garrett; Kirkpatrick, Kim; Izzo, David Garrett
1984De la utopía a la antiutopíaMorente, José Julián; Jabaloy, Federico
1966The Social Structure of the FutureIyer, Raghavan
1985Raum, Zeit und Entopie: Eine Einführung in J.G. Ballard’s KurzgeschichtenwerkKörber, Joachim; Iwoleit, Michael
2015Palimsestic Orientalisms and Antiblackness or, Josh Whedon’s Grand Vision of an Asian/American TomorrowRoh, David; Huang, Betsy; Niu, Greta; Ishii, Douglas
2011EpilogueDallman, Antje; Isensee, Reinhard; Kneis, Philipp; Isensee, Reinhard
1985Orwell and the IntellectualsShoham, Shlomo Giora; Rosentiel, Francis; Israel, Joachim
2010Das beste Gemeinwesen? Utopie und Ironie in Morus’ UtopiaArnswald, Ulrich; Schütt, Hans-Peter; Isekenmeier, Guido
Collection's Items (Sorted by Submit Date in Descending order): 12561 to 12580 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.