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Collection's Items (Sorted by Submit Date in Descending order): 12641 to 12660 of 17595
Issue DateTitleAuthor(s)
1956Tomorrow and Tomorrow and TomorrowHuxley, Aldous
1936SwiftHuxley, Aldous
1929PrefaceHuxley, Aldous
1934IntroductionHuxley, Aldous
1950ForewordHuxley, Aldous
2003Science and Satire: The Lucianic Voice of Margaret Cavendish’s Description of a New World Called the Blazing WorldCottegnies, Line; Weitz, Nancy; Hutton, Sarah
2002Persuasions to science: Baconian rhetoric and the New AtlantisPrice, Bronwen; Hutton, Sarah
1992Aphra Behn’s Oroonooko: The Politics of Gender, Race and ClassSpender, Dale; Hutner, Heidi
2001American Dreams and European Responses, from the 1840s to the 1920sFinzsch, Norbert; Wellenreuther, Hermann; Hutchinson, William
2002Murray Bookchin on Mars! The Production of Nature in Kim Stanley Robinson’s Mars TrilogyKitchin, Rob; Kneale, James; Huston, Shaun
1986Aurélia, deuxième voyage—et récit de voyage—de Nerval en OrientHuré, Jacques
1978L’utopie concrète et les luttes de libération actuelles du tiers mondeHurbon, Laënnec
1953Le roy sainct panignon dans l’imaginaire populaire du XVe siècleHuon, Antoinette
1987Orwell and the Uses of the FutureSlusser, George; Greenland, Colin; Rabkin, Eric; Huntington, John
1979The Science Fiction of H.G. WellsParrinder, Patrick; Huntington, John
1992Newness, Neuromancer, and the End of NarrativeSlusser, George; Shippey, Tom; Huntington, John
2006IntroductionHuntington, John; Huntington, John
1977From Man to Overmind: Arthur C. Clarke’s Myth of ProgressOlander, Joseph; Greenberg, Martin Harry; Huntington, John
2011The (In)Significance of Mars ion the 1930sHendrix, Howard; Slusser, George; Rabkin, Eric; Huntington, John
1984Nineteen Eighty-Four: Interactive StanceHunter, Lynette
Collection's Items (Sorted by Submit Date in Descending order): 12641 to 12660 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.