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Collection's Items (Sorted by Submit Date in Descending order): 1301 to 1320 of 17595
Issue DateTitleAuthor(s)
1971-06/1972-01Die Frau in der englischen Anti-UtopiaRumpf, Wilfried
1968-12Melville and the Fortunate Fall: Typee as EdenRuland, Richard
19851984 and the Bureaucratization of Everyday LifeRule, James
1978-07/09Pour un évangile de la libération: Réflexions d’un evêque non conformiste a partir d’une experience sur les hauts plateaux du PérouRuiz, Julio González
2011-05L’arc et les pierres: Fourier, Calvino, Bachmann. Entretien avec Martin RueffRueff, Martin
1981-08Voyage au bout de l’utopieRude, Fernand
1997-SpringEthics, Reproduction, Utopia: Gender and Childbearing in Woman on the Edge of Time and The Left Hand of DarknessRudy, Kathy
1970-10Genèse et fin d’un mythe historique: Le préfouriérisme de l’angeRude, Fernand
1970-06Stendhal et les saint-simoniensRude, Fernand
1990-05Some Unreported Seventeenth Century References to Sir Thomas More and UtopiaRude, Donald
1994Putting the its Together: Information Theory, Neuromancer, and Science FictionRuddick, Nicholas
1986-SpringOut of the Gernsbackian Slime: Christopher Priest’s Abandonment of Science FictionRuddick, Nicholas
1989-SpringFlaws in the Timestream: Unity and Disunity in Keith Roberts’s Story-CyclesRuddick, Nicholas
1990-SummerBreaking Out of the SF Box: Recent Studies of James Blish and Ursula K. Le GuinRuddick, Nicholas
2001-11‘Tell Us All About Little Rosebery’: Topicality and Temporality in H.G. Wells’s The Time MachineRuddick, Nicholas
1981homas More and Hythloday: Some Speculation on UtopiaRudat, Wolfgang
1980-SpringThomas More, Hythloday, and Odysseus: An Anatomy of UtopiaRudat, Wolfgang
1977-01Pope’s Clarissa, the Trojan Horse, and Swift’s HouyhnhnmsRudat, Wolfgang
1981-03More’s Raphael Hythloday: Missing the Point in Utopia Once More?Rudat, Wolfgang
1984-07/08Constructivismo, utopía y ética: La legitimatación del poderRubio Carracedo, José
Collection's Items (Sorted by Submit Date in Descending order): 1301 to 1320 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.