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Collection's Items (Sorted by Submit Date in Descending order): 13061 to 13080 of 17595
Issue DateTitleAuthor(s)
1990Le Rejet de la chronique ou la construction de l’utopie archaïque dans L’homme qui parle de Mario Vargas LlosaGómez-Moriana, Antonio; Hart, Catherine Poupeney; Hart, Catherine Poupeney
1994Between Utopia and Dystopia: The Labilities of Nationalism in Eastern EuropeKennedy, Michael; Harsanyi, Nicolae; Kennedy, Michael
2006Revolutionspoetik. Benjamin Noldmanns Beitrag zum literarischen Werk Adolph Freiherrn KniggesBernáth, Árpád; Hárs, Endre; Plener, Peter; Hárs, Endre
1993Comment crèer des mondes imaginaires: narration, dialectique et idèologie dans le roman de Cyrano de BergeracRizza, Cecilia; Harry, Patricia
1992Beatrice Potter and Robert OwenTsuzuki, Chushichi; Harrison, Royden
2012Brave New Scotland: Science Fiction without Stereotypes in Fitt and CrumeyMcCracken-Flesher, Caroline; Harrison, Lisa
1989The Legacy of Robert OwenHardy, Dennis; Davidson, Lorna; Harrison, John
1972Robert Owen’s Quest for the New Moral World in AmericaPitzer, Donald; Harrison, John
1992In Search of Robert OwenTsuzuki, Chushichi; Harrison, John
1968IntroductionHarrison, John; Harrison, John
1984Millennium and UtopiaAlexander, Peter; Gill, Roger; Harrison, John
1971A New View of Mr. OwenPollard, Sidney; Salt, John; Harrison, John
1976Worlds Beside WorldsNicholls, Peter; Harrison, Harry
1977Ni får det aldrig så braLundwall, Sam; Harrison, Harry
1984Orwell and Anarchy in 1984Hewitt, Martha; Roussopoulos, Dimitrios; Harrison, Frank
1970IntroductionHarrison, Harry; Harrison, Harry
2011The New WaveGrossman, Leigh Ronald; Harris-Fain, Darren
2015Dangerous Visions: New Wave and Post-New Wave Science FictionLink, Eric Carl; Canavan, Gerry; Harris-Fain, Darren
2001Balance? Octavia E. Butler’s Parable of the SowerHarris, Trudier
2009William Morris: Socialist or Modernist: The Historical Contradictions of CraftHarris, Trevor
Collection's Items (Sorted by Submit Date in Descending order): 13061 to 13080 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.