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Collection's Items (Sorted by Submit Date in Descending order): 1361 to 1380 of 17595
Issue DateTitleAuthor(s)
1976-06Grokking God: Phenomenology in NASA and Science FictionRothfork, John
1974Watergate ovvero L’utopia realizzata. Discorso di Nixon al popolo americanoCirio, Rita; Roth, Philip
1951-04Utopien als Spiegebild ihrer ZeitRoth, Paul
1981Literatur und politische Agitation im Chartismus. Eine Studie zu Thomas Doubledays Political Pilgrims ProgressRossler, Horst
1976Utopie e propaganda: il caso William MorrisRota Ghibaudi, Silvio
2009-SummerRadio Free PKDRossi, Umberto
2005-10Figures de l’historien dans le cycle de Dune de Frank HerbertTerrel, Denise; Rossignol, Benoit
1996-FallJust a Bunch of Words: The Image of the Secluded Family and the Problem of Logos in P.K. Dick’s Time Out of JointRossi, Umberto
1994-03Images from the Disaster Area: An Apocalyptic Reading of Urban Landscapes in Ballard’s The Drowned World and Hello AmericaPhilmus, Robert; Rossi, Umberto
2014-SummerPhilip K. Dick’s Unconventional Dystopias: From Radio Free Albemuth to A Scanner DarklyRossi, Umberto
2009-03A Little Something About Dead AstronautsRossi, Umberto
2002-SpringEcological Awareness and Capitalist Shortsightedness in Thomas Disch’s On Wings of SongRossi, Umberto
2002-WinterFourfold Symmetry: The Interplay of Fictional Levels in Five More or Less Prestigious Novels by Philip K. DickRossi, Umberto
1982-Spring/SummerWhy the Left Hates OrwellRossi, John
2003Dal ‘luogo’ al ‘non-luogo’: il tema dell’utopia nell’opera di LévinasRossi, Fabio
1980Un’utopia Russa del 1840Rossi Varese, Marina
1979-11On Atlas ShruggedRoss, Shelley; Wilt, Judith; Gladstein, Mimi
1990-09Les paradoxes d’UtopiaRossetti, Lorenzo
1999Defeat and Regeneration: A Critique of Rodino’s SwiftRoss, Trevor
1984-Spring‘Carrying on the Human Heritage’: Lady Chatterly’s Lover to Nineteen Eighty-FourRoss, Michael
Collection's Items (Sorted by Submit Date in Descending order): 1361 to 1380 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.