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Collection's Items (Sorted by Submit Date in Descending order): 1421 to 1440 of 17595
Issue DateTitleAuthor(s)
1999-03/04Culture politique libérale et réformismeRosanvallon, Pierre
1977Le costruzioni ecclesiastiche nell’idea di città dal Palladio al tibaldiRosci, Marco
1993-01Númenor: Tolkien’s Literary UtopiaRosario Monteiro, Maria do
1996-WinterThe Unraveling of an Anglo-American Utopia in South CarolinaRoper, Louis
1965-11Tomas Moro, ‘Planeador’ de la ‘Utopia’Rops, Daniel
2002Hope and the FutureRorty, Richard
2013-Springtars in My Pocket: SF, Philip K. Dick, and the Space AgeRosa, Jorge Martins
1970-06C.S. Lewis: The Gladiator Of GodRoot, Merrill
2011Utopian Cosmopolitanism and the Conscious Pariah: Harare, Ramallah, CairoRooney, Caroline
1989Utopianism, Scientific and Socialistic: Albert Chavannes and ‘Socioland’Roper, Jon
1966-06Orwell: A Socialist To End All SocialistsRoot, Merrill
1993-10/11Position de l’utopieRonzeaud, Pierre
2002-WinterL’Espace dans les utopies litteraires du règne de Louis XIVRonzeaud, Pierre
1990Le Roman utopique: non lieu ou lieu de romanRonzeaud, Pierre
1982-04/06Raison et déraison de l’imaginaire utopique: La Terre Australe connue de G. de FoignyRonzeaud, Pierre
1995-01/03Formes et enjeux de la réécriture dans les du XVIIè siècle: Foigny, Veiras, Fontenelle, Gilbert, Tyssot de PatotRonzeaud, Pierre
1987Zwischen historischen Abbild und utopischen Entwurf: Die Publikumsbezogenheit des HamletRonthaler, Jürgen
1991-SummerMore’s Strategy of Naming in UtopiaRomm, James
1984-10World Classics and Nursey Rhymes: Emblems of Resistance in Ray Bradbury’s Fahrenheit 451 and George Orwell’s 1984Skovmand, Michael; Rønnov-Jessen, Peter
2010Countess Almaviva and the Carceral Redemption: Introducing a Musical Utopia into the Prison WallsRomero, Luis Gómez
Collection's Items (Sorted by Submit Date in Descending order): 1421 to 1440 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.