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Collection's Items (Sorted by Submit Date in Descending order): 14881 to 14900 of 17595
Issue DateTitleAuthor(s)
2004La bellesa del fracàs, el fracàs de la bellesa. La belleza del fracaso. El fracaso de la belleza. The beauty of failure. The failure of beauty-
1982L’imaginaire subversif: Interrogations sur l’utopie-
1985L’esthétique de la science-fiction-
2006Constantinos A. Doxiadis: Texts, Design, Drawings, SettlementsKyrtsis, Alexandros-Andreas
1977The Illustrated Book of Science Fiction Ideas & DreamsKyle, David
1976A Pictorial History of Science FictionKyle, David
1909Thomas Campanella: Ein Reformer der ausgehenden Renaissance. In 6 Stück of Neue Studien zur Geschichte der Theologie und der KircheKvacala, Jan
1960Les Egalitaires en Belgique: Buonarroti et ses sociétés secrètes d’après des documents inédits (1824-1836)Kuypers, Julian
1984Nineteen Eighty-Four to 1984: A Companion to the Classic Novel of Our TimeKuppig, C.
2012-04/06La ciencia-ficción en América Latina: entre la mitología experimental y lo que vendráAres, Silvia Kurlat
1986Utopischer Entwurf und fiktionale Vermittlung: Studien zum Gattungswandel der literarischen Utopie zwischen Humanismus und FrühaufklärungKuon, Peter
1946Die anthropologische Bedeutung der Phantasie. 2 vols. Supplements 3 and 4 to Studia Philosophica, Jahrbuch der Schweizerischen Philosophischen GesellschaftKunz, Hans
2013L’Utopie entre eutopie et dystopie: En hommage à Claude-Gilbert DuboisKuon, Peter; Peylet, Gérard
2014Utopia or Bust: A Guide to the Present CrisisKunkel, Benjamin
1999Venice, Myth and Utopian Thought in the Sixteenth CenturyKuntz, Marion Leathers
1987Utopia and Anti-Utopia in Modern TimesKumar, Krishan
1991UtopianismKumar, Krishan
1985Religion and UtopiaKumar, Krishan
1993Utopias and the MillenniumKumar, Krishan; Bann, Stephen
2009Ideal Constitutions in the Renaissance: Papers from the Munich February 2006 ConferenceKuhn, Heinrich; Stanciu, Diana
Collection's Items (Sorted by Submit Date in Descending order): 14881 to 14900 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.