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Collection's Items (Sorted by Submit Date in Descending order): 15481 to 15500 of 17595
Issue DateTitleAuthor(s)
2016Staying with the Trouble: Making Kin in the ChthuluceneHaraway, Donna
1997Modest_Witness@Second_Millennium. FemaleMan©_Meets_OncoMouseTM: Feminism and TechnoscienceHaraway, Donna
2016Hebrew as The History of TomorrowHarari, Yuval Noah
1974Perfection and Progress: Two Modes of Utopian ThoughtHansot, Elisabeth
2016The Age of EM: Work, Love and Life When Robots Rule the EarthHanson, Robin
2013William Morris and the Uses of Violence, 1856-1890Hanson, Ingrid
2005The Imaginary Polis: Symposium, January 7-10, 2004Hansen, Mogens Herman
1984Die retrospektive Mentalität: Eurpäische Kulturkritik und amerikanische Kultur (Cooper, Melville, Twain)Hansen, Klaus
1986William Golding Lord of the FliesHanscombe, G.
1991Tahiti in der Reiseberichterstattung und den literarischen Utopien Frankreichs gegen Ende des 18. Jahrhunderts.Hanke-El Ghomri, Gudrun
1981C.S. LewisHannay, Margaret Patterson
2011Utopia and ConsciousnessHaney, William, II.
1936Swift: Gulliver’s Travels, Eine Interpretation un Zusammenhang mit den geistesgeschichtlichen BeziehungenHandro, Lilli
2006Cyberculture, Cyborgs, and Science Fiction: Consciousness and the PosthumanHaney, William, II.
2013The Village Against the WorldHancox, Dan
1999Eden Zion Utopia: Zur Geschichte der Zukunft im JudentumHanak, Werner
2015Imagining Slaves and Robots in Literature, Film, and Popular Culture: Reinventing Yesterday’s Slave with Tomorrow’s RobotHampton, Gregory Jerome
1979An H.G. Wells CompanionHammond, John Richard
2010Changing Bodies in the Fiction of Octavia Butler: Slaves, Aliens, and VampiresHampton, Gregory Jerome
2008Lost Horizon Companion: A Guide to the James Hilton Novel and Its Characters, Critical Reception, Film Adaptations and Place in Popular CultureHammond, John Richard
Collection's Items (Sorted by Submit Date in Descending order): 15481 to 15500 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.