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Collection's Items (Sorted by Submit Date in Descending order): 16141 to 16160 of 17595
Issue DateTitleAuthor(s)
1988Terra Australis: The Furthest Shore, SydneyEisler, William; Smith, Bernard
2011Mass Culture and Utopia: Seurat and NeoimpressionismEisenman, Stephen; Crow, Thomas; Lukacher, Brian; Nochlin, Linda; Phillips, David; Pohl, Frances
1991Faction’s Fictions: Ideological Closure in Swift’s SatireEilon, Daniel
1996Utopie und ModerneEickelpasch, Rolf; Nassehi, Armin
2002Feminist Utopias: Re-Visioning Our FutureEichler, Margrit; Larkin, June; Neysmith, Sheila
1971Atlantean ChroniclesEichner, Henry
2011Radio Utopia: Postward Audio Documentary in the Public InterestEhrlich, Matthew
2009Kritik & Utopie: Positionen & PerspektivenEhalt, Hubert Christian; Hopf, Wilhelm; Liessmann, Konrad Paul
1962/1983Swift: The Man, His Work, and The AgeEhrenpreis, Irvin
1967Socialism and American Art In the Light of European Utopianism, Marxism, and AnarchismEgbert, Donald Drew
1970Social Radicalism and the Arts: Western Europe. A Cultural History from the French Revolution to 1968Egbert, Donald Drew
1952Socialism and American LifeEgbert, Donald Drew; Persons, Stow
2011Race, Aliens, and the U.S. Government in African-American Science FictionEdwards, Elisa
1993Utopia Limited: A Centenary Review of the Year 1893Eden, David
2003Islands in History and RepresentationEdmond, Rod; Smith, Vanessa; Edmond, Rod and Vanessa Smith
1982Rose-Croix et société idéale selon Johann Valentin AndreaeEdighoffer, Roland
1968Novelist and Reformer. No. 23 of Union WorthiesEdward Bellamy
1923Gulliver’s Travels: A Critical StudyEddy, William
2014The Hobbit” and Tolkien’s Mythology: Essays on Revisions and InfluencesEden, Bradford Lee
1987Wünsche und Begehrungen sind Flügel: Die Genesis der Utopie bei NovalisEckhardt, Hans-Wilhelm
Collection's Items (Sorted by Submit Date in Descending order): 16141 to 16160 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.