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Collection's Items (Sorted by Submit Date in Descending order): 16821 to 16840 of 17595
Issue DateTitleAuthor(s)
1993Terminal Identity: The Virtual Subject in Postmodern Science FictionBukatman, Scott
1997Blade RunnerBukatman, Scott
1988George Orwell: A ReassessmentBuitenhuis, Peter; Nadel, Ira; Buitenhuis, Peter; Nadel, Ira
1969Imaginaire Reisverhalen in Nederland gedurende de 18e Eeuw. No. 25 of Voordrachten Gehouden voor de Gelderse Leergangen to ArnheimBuijnsters, P.
1942Von der Utopie zum Sozialstaat: [Randbemerkungen zu einem zeitgemässen Problem]Bühler, Theodor
1988Bilder der Zukunft: Traum und Plan. Utopie im Werk Bertolt BrechtsBuhl, Barbara
1983Non-Literary Influences on Science Fiction (An Essay)Budrys, Algis
1990Visionaries and Planners: The Garden City Movement and the Modern CommunityBuder, Stanley
1999George Turner: A LifeBuckrich, Judith Raphael
1981Ursula K. Le GuinBucknall, Barbara
1997Ground Control: Technology and UtopiaBuck-Morss, Susan; Stallabrass, Julian; Donskis, Leonidas
2000Dreamworld and Catastrophe: The Passing of Mass Utopia in East and WestBuck-Morss, Susan
2011Utopie: Texts and Projects, 1967-1978Buckley, Craig; Violeau, Jean-Louis; Buckley, Craig; Violeau, Jean-Louis
2002Expectations for the Millennium: American Socialist Visions of the FutureBuckingham, Peter; Buckingham, Peter
1984La Raision Baroque: De Baudelaire à BenjaminBuci-Glucksmann, Christine
[1970]Programmiertes Glück. Soziakritik in der utopischen SowjetliteraturBuchner, Hermann
2006Fredric Jameson: Live TheoryBuchanan, Ian
1949/1950Paths in UtopiaBuber, Martin
1969Visão do Paraíso: Os motivos edênicos no descobrimento e colonização do Brasil. 2nd edBuarque De Holanda, Sérgio
2010Violence in William Golding’s Lord of the FliesBryfonski, Dedria; Bryfonski, Dedria
Collection's Items (Sorted by Submit Date in Descending order): 16821 to 16840 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.