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Collection's Items (Sorted by Submit Date in Descending order): 17241 to 17260 of 17595
Issue DateTitleAuthor(s)
1937L’utopie SoviétiqueBaudin, Louis
1971La Science-Fiction: Un univers en espansionBaudin, Henri
1965Paradise on Earth: Some Thoughts on European Images of Non-European ManBaudet, Henri
1993Planeten der Unschuld--Kinder der Natur: Die Naturstandsutopie in der deutschen und westeuropäischen Literatur der 17. und 18. JahrhundertsBaudach, Frank
2002Giovani e utopia: Indagine sui progetti di vitaBattisti, Francesco Maria
1998Margaret Cavendish and the Exiles of the MindBattigelli, Anna
2000La fine dell’innocenza: Utopia, totalitarismo e comunismoBattista, Pierluigi
1949Saggi sull’’Utopia’ di Tommaso MoroBattaglia, Felice
1979Friedensutopien: Kant/Fichte/Schlegel/GörresBatscha, Zwi; Saage, Richard
1998Nostalgia e mito nella distopia inglese: Saggi su Oliphant, Wells, Forster, Orwell, BurdekinBattaglia, Beatrice
1985H.G. WellsBatchelor, John
1985The American UtopiaBatalov, Eduard
2013Contemporary Dystopian Fiction for Young Adults: Brave New TeenagersBasu, Balaka; Broad, Katherine; Hintz, Carrie; asu, Balaka; Broad, Katherine; Hintz, Carrie
2013The Epistemology of Utopia: Rhetoric, Theory and ImaginationBastos da Silva, Jorge; Bastos da Silva, Jorge
1981Aldous Huxley: An Annotated Bibliography of CriticismBass, Eben
2015Of Bodies, Communities, and Voices: Agency in Writings by Octavia ButlerBast, Florian
1990Rebelles américaines au XIXe siècle: Mariage, amour libre et politiqueBasch, Françoise
2016The New Worlds of Thomas Robert MalthusBashford, Alison; Chaplin, Joyce
1988The Way to Ground Zero: The Atomic Bomb in American Science FictionBartter, Martha
2004The Utopian Fantastic: Selected Essays from the Twentieth International Conference on the Fantastic in the ArtsBartter, Martha; Bartter, Martha
Collection's Items (Sorted by Submit Date in Descending order): 17241 to 17260 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.