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Collection's Items (Sorted by Submit Date in Descending order): 17281 to 17300 of 17595
Issue DateTitleAuthor(s)
1983Women and Utopia: Critical InterpretationsBarr, Marleen; Smith, Nicholas; Barr, Marleen; Smith, Nicholas
2002Teatro y revolución Cubana--Subversión y utopía en “Los siete Contra Tebas” de Antón Arrufat/Theater and Cuban Revolution--Subversion and Utopia in “Seven Against Thebes” by Antón ArrufutBarquet, Jésus
2003The Gnostic BibleBarnstone, Willis; Meyer, Marvin; Barnstone, Willis; Meyer, Marvin
1985Die versuchte Realität oder von der Möglichkeit, glücklichere Welten zu Denken. Vol. 1 of Studien zur phantastischen LiteraturBarnouw, Dagmar
1975Linguistics and Languages in Science Fiction-FantasyBarnes, Myra Edwards
1988Le Périple de Francesco Pucci: Utopie, hérésie et vérité religieuse dans la renaissance tardiveBarnavi, Élie; Eliav-Feldon, Miriam
2008mproving Ireland? Projectors, Prophets and Profiteers, 1641-1786Barnard, Toby
1972Science Fiction: Theorie und GeschichteBarmeyer, Eike; Barmeyer, Eike
1974Disaster and the MillenniumBarkun, Michael
2003Culture of Conspiracy: Apocalyptic Visions in Contemporary AmericaBarkun, Michael
1996Millennialism and ViolenceBarkun, Michael; Barkun, Michael
1991The Gate of Heaven: The History and Symbolism of the Temple in JersusalemBarker, Margaret
1955Henry GeorgeBarker, Charles Albro
1984Alberto Longatti; and Lucia Somaini. Somaini: realizzazioni, progetti, utopieBarilli, Renato
2014Figures de l’utopie, hier et aujourd’huiBard, Christine; Bertin, Georges; Guillaud, Lauric; Bard, Christine; Bertin, Georges; Guillaud, Lauric
1995Parabasis 7. Utopie et fictions narrativesBareau, Michel; Vielli, Santé
2007Imaginary Futures: From Thinking Machine to the Global VillageBarbrook, Richard
1979Worlds Out of Words: The SF Novels of Samuel R. DelanyBarbour, Douglas
1991Prélude à l’utopieBarbéris, Pierre
1960CandideBarber, W.
Collection's Items (Sorted by Submit Date in Descending order): 17281 to 17300 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.