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Collection's Items (Sorted by Submit Date in Descending order): 2681 to 2700 of 17595
Issue DateTitleAuthor(s)
2007Aspects of Utopia, Anti-utopia, and Nostalgia in Irish-Language TextsNic Dhiarmada, Bríona
2011-1/4Destination litterature monde? Travel and Language in Aux États-Unis d’AfriqueNí Loingsigh, Aedín
1998-SummerMyth, War, Contact: Ian McDonald’s Irish TrilogyNewsinger, John
1992-08Nineteen Eighty-Four since the Collapse of CommunismNewsinger, Joh
1959/1974News from Anywhere-
1979-SummerLeGuin’s [sic] ‘The Dispossessed’ and AnarchismNewman, Robert
2003-09Thoreau’s Natural Community and Utopian SocialismNewman, Lance
1978-FallNovels of Post-Holocaust America: An Annotated BibliographyNewman, John; Donna Leflar
1993Discriminating Utopian from Dystopian Literature: Why is Walden Two Considered a Dystopia?Newman, Bobby
1992-SpringBrave New World Revisited Revisited: Huxley’s Evolving View of BehaviorismNewman, Bobby
1977-4-13Communism--Primitive, Utopian, Authoritarian and LibertarianNewell, Peter
1991-Fall/WinterA Clockwork Orange: Burgess and Behavioral InterventionsNewman, Bobby
2005-11Rugged Domesticity: Frontier Mythology in Post-Armageddon Science Fiction by WomenNewell, Dianne; Lamont, Victoria
2009-03Daughters of Earth: Judith Merrill and the Intersection of Gender, Science Fiction, and Frontier MythologyNewell, Dianne; Lamont, Victoria
2013-11Abject Cyborgs: Discursive Boundaries and the Remade in China Miéville’s Iron CouncilNewell, Jonathan
1983Thomas More, Utopia: Form as ModelNew, Peter
1970Ad nauseam: A Satiric Device in Huxley, Orwell and Waugh.New, Melvyn
1982The Concept of Utopia in Sir Thomas More’s UtopiaNew, Peter
1975-SpringOrwell and Antisemitism: Toward 1984New, Melvyn
1972Economie et UtopieNeville, Pierre
Collection's Items (Sorted by Submit Date in Descending order): 2681 to 2700 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.