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Collection's Items (Sorted by Submit Date in Descending order): 2721 to 2740 of 17595
Issue DateTitleAuthor(s)
1988-06Nature and Convention in Book V of the RepublicNendza, James
1939-03The Boundaries of Fiction in the Renaissance: A Treaty Between Truth and FalsehoodNelson, William
1943-06Thomas More, Grammarian and OratorNelson, William
1995Pragmatic Validity in Mannheim and Dewey: a reassessment of the epistemological critique of Ideology and UtopiaNelson, Rodney
1986On through to the Beyond: The Peach Blossom Spring as ParadiseNelson, Susan
2002-03Thoughts Stimulated by Reading Geoffrey Hodgson’s ‘Economics and Utopia’: Review SymposiumNelson, Richard
1988-09Science Fiction as Syzygy: Political Mythmaking for PostmodernsNelson, John
2001-12Greek Nonsense in More’s UtopiaNelson, Eric
2012-1/2The Immortalization Commission and N.I.C.E.Nelson, Dale
2012-11Pirates, Robbers, and Mayan Shamans: The Terrible and Fine Allure of the Spirits of CapitalNelson, Diane
2006-7/8Is Lewis’ Ransom Trilogy Indebted to ‘Yank Magazine’ Science Fiction?Nelson, Dale
2002-SummerIntroduction: Future TextsNelson, Alondra
2002-SummerMaking the Impossible Possible’: An Interview With Nalo HopkinsonNelson, Alondra
1941-05Utopian Literature and the HistorianNeill, T.
1990Translating the Present: Language, Knowledge, and Identity in Nadine Gordimer’s July’s PeopleNeill, Michael
1934-03-30/1934-04-05William Morris, Pioneer of Fascism. The Impossibility of SocialismNeil, Adam
1979-4/6Recent Works on Utopian LiteratureNegley, Glenn
1984Le pèlerin de l’esperance: Ernst BlochNeher, André
1996-04The ‘Paradise of the mothersons’: Frankenstein and The Empire of the NairsNeff, D.
1990-SpringProblems of a ‘Democratic Text’: Walter Besant’s Impossible StoryNeetens, Wim
Collection's Items (Sorted by Submit Date in Descending order): 2721 to 2740 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.