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Collection's Items (Sorted by Submit Date in Descending order): 2921 to 2940 of 17595
Issue DateTitleAuthor(s)
2001-10Utopia 2001: Space Odysseys as ReligionMörth, Ingo
1968-7/8Science FictionMorthenson, Jan
2004-01The Man Who Dreamed the Future: The Imagination, Prognostications, and Politics of H.G. WellsMorrow, Ed.
2000Ready or Not, Here We Come: Metaphors of the Martian Megatext from Wells to RobinsonMorrissey, Thomas
1984-FallArmageddon from Huxley to HobanMorrissey, Thomas
2001-Spring/FallRegenerative Archetypes: Social Criticism through Water-Goddess Myths in Ayi Kwei Armah’s Fragments and Chinua Achebe’s Anthills of the SavannahMorrison, Kathleen
1989-06-22Looking BackwardMorris, William
2001-WinterScience, Tradition, and UtopiaMorrison, Grant
2013-3/4C.S. Lewis and Michael O’Brien: The Apocalyptic ImaginationMorrison, John
1981-03Samuel Smiles and the Genesis of Self-Help: The Retreat to a Petit Bourgeois UtopiaMorris, R.
1973-SpringWishes as Horses: A Word for the HouyhnhnmsMorris, John
1897-05/06UtopiasMorris, Lewis
1955-03The Dialogues of Hylas and Philonous as a Source in Gulliver’s TravelsMorris, Harry
2015Octavia Butler’s (R)evolutionary Movement for the Twenty-First CenturyMorris, David
1979-WinterIndians and Other Aliens: A Native American View of Science FictionMorris, Christine
2009-SummerThe Deconstruction of the Enlightenment in Mark Twain's ‘A Connecticut Yankee in King Arthur's Court’ (1889)Morris, Christopher
1996-SpringThe Bray House: An Irish Critical Utopia. Eílis Ní DhuíbhneMorris, Carol
1984Satan’s Offerings’: Cities in Modern LiteratureMorris, Brian
1991The Agrarian Socialism of Thomas SpenceMorris, Brian
1994The End of Ideology, the End of Utopia, and the End of History: On the Occasion of the End of the U.S.S.RMorris, Bernard
Collection's Items (Sorted by Submit Date in Descending order): 2921 to 2940 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.