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Collection's Items (Sorted by Submit Date in Descending order): 3101 to 3120 of 17595
Issue DateTitleAuthor(s)
1978-SummerComing of Age in Pala: The Primitivism of Brave New World Reconsidered in IslandMeckier, Jerome
1974/1975-WinterCancer in Utopia: Positive and Negative Elements in Huxley’s IslandMeckier, Jerome
1981-AutumnBoffin and Podsnap in UtopiaMeckier, Jerome
1979-SpringA Neglected Huxley ‘Preface’: His Earliest Synopsis of Brave New WorldMeckier, Jerome
1996Aldous Huxley: Dystopian Essayist of the 1930sMeckier, Jerome
2005-09magining ‘The Good Reality’: Communities of Healing in Two works of Utopian FictionMebane-Cruz, Anjana; Margaret Wiener
2012/2013My Hypothetical Islanders’: The Role of Islands in Brave New World and IslandMeckier, Jerome
1972Les républiques jésuites du Paraguay: Une utopie communiste deux siècles avant MaxrMeaux, Nicolas
1949-12The Bishop of UtopiaMeaney, John
2017The Prophet of Dystopia: Margaret Atwood’s dark ‘speculative fiction’ eerily anticipated today’s crisesMead, Rebecca
1972-10American History as A Tragic DramaMead, Sidney
1991-WinterTechological Transfiguration in William Gibson’s Sprawl Novels: Neuromancer, Count Zero, and Mona Lisa Overdrive.Mead, David
1957-11-8Towards More Vivid UtopiasMead, Margaret
1998-Contemporary LiteratureBrandishing Shifgrethor: LeGuin’s [sic.] The Left Hand of DarknessMcWhorter, Carrie
1986-12Animal Religiosum and the Witches in ‘A Voyage to the HouyhnhmnsMcWhir, Ann
1990The Feminist Science Fiction of Margarita AritzetaMcNerney, Kathleen
1980-FallUtopia and Transcendence: An Analysis of their Decline in Contemporary Science FictionMcQuarie, Donald
1976Lawrence Durrell’s Science Fiction in the True SenseMcNelly, Willis
1980-5-10Science Fiction and ReligionMcNelly, Willis
1973-03Archetypal Patterns in Science FictionMcNelly, Willis
Collection's Items (Sorted by Submit Date in Descending order): 3101 to 3120 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.