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Collection's Items (Sorted by Submit Date in Descending order): 3161 to 3180 of 17595
Issue DateTitleAuthor(s)
2008-07Science Fiction’s Renegade BecomingsMcGuirk, Carol
2012-01What They’ve Done to His Song: The English Translation of Auf zwei PlanetenMcGuire, Patrick
2013-10/12The Strugatsky’ Traditional Science Fiction RevisitedMcGuire, Patrick
1992-05Action and the Passionate Patient in That Hideous StrengthMcGrew, Lydia
1979-WinterThe Cavalier Country-House Poem: Mutations on a Jonsonian TraditionMcGuire, Mary Ann
2005Nalo Hopkinson’s Approach to Speculative FictionMcGregory, Jerrilyn
1987-12The Technomyth in Transition: Reading in American Popular CultureMcGregor, Gaile
1983-9/12Negative Utopias and UtilitarianismMcGray, Rev. James
2014-AutumnThe Pseudonymous Mr. BellMcGrane, Paul
2006-3-20The Utopians: Yaddo meets Club MedMcGrath, Ben
2004-WinterHe ‘Just Plain Liked Guns’: Robert A. Heinlein and the ‘Older Orthodoxy’ of an Armed CitizenryMcGiveron, Rafeeq
1996-FallWhat ‘Carried the Trick’? Mass Exploitation and the Decline of Thought in Ray Bradbury’s Fahrenheit 451McGiveron, Rafeeq
1999-SpringStarry-Eyed Internationalists’ versus the Social Darwinists: Heinlein’s Transnational GovernmentsMcGiveron, Rafeeq
2001-SummerFrom Free Love to the Free-Fire Zone: Heinlein’s Mars, 1939-1987McGiveron, Rafeeq
2013-11Remediated Readers: Gender and Literacy in Neal Stephenson’s The Diamond AgeMcGinnis, Eileen
2003-SummerMaybe the Hardest Job of All--No Talent for It’: Heinlein’s Fictional ParentsMcGiveron, Rafeeq
1997-SummerDo You Know the Legend of Hercules and Antaeus?’ The Wilderness in Ray Bradbury’s Fahrenheit 451McGiveron, Rafeeq
1984/1985- WinterUtopian Hopes: Criticism Beyond ItselfMcGillis, Roderick
1977-SpringUtopian Thought and Cultural EmergenceMcGehee, Larry
2000-SummerThomas Dixon’s The Clansman: Radicals, Reactionaries, and the Anticipated UtopiaMcGee, Brian
Collection's Items (Sorted by Submit Date in Descending order): 3161 to 3180 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.