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Collection's Items (Sorted by Submit Date in Descending order): 321 to 340 of 17595
Issue DateTitleAuthor(s)
1983-12-12Killing TimeSteiner, George
1967-SpringH.G. Wells as a Social CriticSteinberg, Moses
1913/1917Utopische SchulpläneWillmann, Otto; Roloff, Ernst; Stein, Robert
1916-01Naturwissenschaft in UtopiaStein, Robert
1991/1992-WinterMargaret Atwood’s The Handmaid’s Tale: Scheherazade in DystopiaStein, Karen
1978-SpringJack London’s The Iron HeelStein, Paul
2006-09Sir/St. Thomas More on the US Constitution: ‘More Perfect’ is not UtopianStein, Joshua
1975-SpringHawthorne’s Zenobia and Melville’s UraniaStein, Allen
1976Le temps rituel de l’utopie selon cinq utopies des années 1620Stegmann, André
1978-01/02Project Capricorn 2003: Towards a Humanist EnvironmentSteiglitz, David
2011The Unified State and the Unified Mind: Social and Moral Utopia in Zamiatin’s We and Plato’s RepublicStefani, Sara
2005-09Richard Head’s The Floating Island (1673) Plagiarizes Thomas PowellSteggle, Matthew
1990-07The Case of the Haploid Heart: Psychological Patterns in the Science Fiction of Alice Sheldon (‘James Tiptree, Jr’)Steffen-Fluhr, Nancy
2008National Pasts and Imperial Futures: Temporality, Economics, and Empire in William Morris’s News from Nowhere (1890) and Julius Vogel’s Anno Domini 2000 (1889)Steer, Philip
1971Terminal Days among the HouyhnhnmsSteele, Peter
1996IntroductionJones, Gareth Stedman; Patterson, Ian; Stedman Jones, Gareth; Patterson, Ian
1975-11Discovery of Self and Utopian Vision of Humanity in ‘The Sleepers’Stebner, Gerhard
2001L’harmonie parfaite: critique d’une utopie. Lien social et politiques de la villeStébé, Jean-Marc
1985Heavenly Places and New FrontiersStebbins, Phillip
1985-SummerThe Temper of an Age: H.G. Wells’s message on war, 1914 to 1936Stearn, R.
Collection's Items (Sorted by Submit Date in Descending order): 321 to 340 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.