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Collection's Items (Sorted by Submit Date in Descending order): 3681 to 3700 of 17595
Issue DateTitleAuthor(s)
2013-01A Modernist Echo: Bryher’s Visa for Avalon and Morris’s Earthly ParadiseLloyd-Kimbrel, Elizabeth
2013-01Political Theatre in Malaysia: 1984 Here and NowLloyd-Kimbrel, Elizabeth
2010-FallCome Again: The Contexts of Bryher’s Visa for AvalonLloyd-Jones, I.
1977-FallThe Politics of William Morris’s News from NowhereLloyd, Trevor
1998-SpringFeminism, Utopian and Scientific: Charlotte Perkins Gilman and the Prison of the FamiliarLloyd, Brian
1975-SummerHow to Write a Utopia: William Morris’s Medieval Interests and News from NowhereLloyd, Trevor
1969-3Science Fiction as a Source of Forecast MaterialLivingston, Dennis
2013-03Gloomy China: China’s Image in Han Song’s Science Fiction.”Liyuan, Jia
2016Translating and Transforming Utopia into the Mandarin Contect: Case Studies from China and TaieanLiu, Yi-Chun
1983-03-04Dreaming of AlternativesLively, Jack
1990-SummerA Great Resource to Us’: America and William Morris’s Vision in News from NowhereLitton, Alfred
1946William Morris and the ‘Literary’ TraditionLitzenberg, Karl
1982-05The ‘Nietzschean’ and the Individualist in Jsck London’s Socialist WritingsLittell, Katherine
1964 - SpringThe Wizard of Oz: Parable on PopulismLittlefield, Henry
2009-03Call me a Protestant’: Liberal Christianity, Individualism, and the Messiah in Stranger in a Strange Land, Dune, and Lord of Light.List, Julia
1977-01Jack London Through the Socialist Looking-GlassLittell, Katherine
2014-03The very idea of place’: Form, Contingency, and Adornian Volition in The Man in the High CastleLison, Andrew
1916-10-21White PassionLippmann, Walter
1979-SpringUtopia, Sci-Fi, Witches and Pent-Up EnergyLipsyte, Marjorie
2002Imachinations of Peace: Scientifictions of Peace in Iain M. Banks The Player of GamesLippens, Ronnie
Collection's Items (Sorted by Submit Date in Descending order): 3681 to 3700 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.