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Collection's Items (Sorted by Submit Date in Descending order): 4281 to 4300 of 17595
Issue DateTitleAuthor(s)
1987Present Problems with the Language of the FutureKramarae, Cheris
1972Mahatma Gandhi’s Concept of Trusteeship Socialism: A Hindu Search for UtopiaKragalott, Robert
2009-01Utopia, Childhood and IntentionKraftl, Peter
2007Utopia, Performativity, and the UnhomelyKraftl, Peter
2006-SpringSpacing Out an Unsettling Utopian EthicsKraftl, Peter
2004Ruining UtopiaKraftl, Peter
2015H.G. Wells and G.K. Chesterton--Two Men, Two WorldsKozyreva, Maria
2015Whose Archive? Questions of Access to Information and Memory in Rainbow’s End by Vernor VingeKoziol, Slawomir
2015-11‘Those Clunky Things You Have to Carry Around’: Materiality in Vernor Vinge’s Rainbow’s EndKoziol, Slavomir
2001-06Utopian Enterprise: Articulating the Meaning of Star Trek’s Culture of ConsumptionKozinets, Robert
2002Special Session Summary: Utopian ConsumptionKozinets, Robert
2002Special Session Summary. Utopian ConsumptionKozinets, Robert
2015-WinterIn Space No One Can Hear You Speak: Embodied Language in Stanislaw Lem’s Solaris and Peter Watt’s BlindsightKowalewski, Hubert
1958-01/06Millénarisme et Parousie, Messianisme et Missions ChrétiennesKovalevsky, Pierre
1982-03Ius, Fas, Aequum: Analyse de mots-clésChomarat, Jacques; Kouskoff, Georges
2013-05The reality and mythology enveloping Zelazny’s Lord of Light, the FBI, the CIA, and Ben Affleck’s ArgoKovacs, Christopher
1998-01Sustainable Development: An Ethical Utopia for the 21st CenturyKothari, Rajni
1980-01/06L’Utopie de l’urbanisme c’est d’habiter ou passer, comme une fleur de l’aliénationKotany, Attila
2002-11Space, Body, and Aliens in Japanese Women’s Science FictionKotani, Mari
2012J.-M.G. Le Clézio: Ritournelle de la faim. La déconstruction de l’utopique à l’instar de la Maison mauveHahn, Kurt; Hausmann, Matthias; Köstler, Cecile
Collection's Items (Sorted by Submit Date in Descending order): 4281 to 4300 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.