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Collection's Items (Sorted by Submit Date in Descending order): 4481 to 4500 of 17595
Issue DateTitleAuthor(s)
1991Beyond Omelas: Utopia and GenderKhanna, Lee Cullen
1996Utopian Texts by Early Modern WomenKhanna, Lee Cullen
1998-01Beauty and the Beast: Vasilii Rozanov’s Aesthetic and Moral IdeaKhanin, Dmitry
2016-11The Others in India’s Other FuturesKhan, Sami
2001-SpringClassicism in Shaaban Robert’s Novel Kusadikika [Kiswahili Literature of Tanzania]Khamis, Said
1983Orwell’s Vision: The World in 1984Khan, Rahat Nabi
2005Race Matters: People of Color, Ideology and the Politics of Erasure and Reversal in Ursula Le Guin’s The Left Hand of Darkness and Mary Doria Russell’s The SparrowKhader, Jamil
1983-SpringLooking Backward: From Herland to Gulliver’s TravelsKeyser, Elizabeth
1921Original Elements in Cicero’s Ideal ConstitutionKeyes, Clinton Walker
1975-SpringTypee: A Birds-Eye ViewKey, James
1984-07Wagnerian Spenglarian Space Opera: Cities in Flight by James BlishKetterer, David
1973-FallUtopian Fantasy as Millenial Motive and Science-Fictional MotifKetterer, David
1973-04The Left Hand of Darkness: Ursula K. Le Guin’s Archtypal ‘Winter Journey’Ketterer, David
1976-03Science Fiction and Allied LiteratureKetterer, David
1983-07Pantropy, Polyploidy, and Tectogenesis in the Fiction of James Blish and Norman L. KnightKetterer, David
1982-11Oedipus as Time TravellerKetterer, David
1971New Worlds for Old: The Apocalyptic Imagination, Science Fiction and American LiteratureKetterer, David
1989-07Margaret Atwood’s The Handmaids Tale: A Contextual DystopiaKetterer, David
1983-10Epoch-Eclipse and Apocalypse: Special ‘Effects’ in A Connecticut YankeeKetterer, David
1954Utopie und Eschatologie. Zukunftserwartungen in der Geschichtsphilosophie des 19. JahrhundertsKesting, Hanno
Collection's Items (Sorted by Submit Date in Descending order): 4481 to 4500 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.