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Collection's Items (Sorted by Submit Date in Descending order): 4521 to 4540 of 17595
Issue DateTitleAuthor(s)
1993The Dystopia Factor: Industrial Capitalism in Sybil and The Grapes of WrathKeough, Trent
1982-SpringUtopia in Reality: ‘Ideal’ Societies in Social and Political TheoryKenyon, Timothy
1983-07The Problem of Freedom and Moral Behavior in Thomas More’s UtopiaKenyon, Timothy
1934-04William Morris: Freethinker and UtopianKent, W.
1899-05William Morris--Poet, Socialist, and Master of Many CraftsKenyon, James
2011-WinterWilliam Morris’s Green CosmopolitanismKent, Eddy
2007-10Introduction: Exploring ‘the utopian’ in political ideologiesKenny, Michael
1982-SpringYankees in Camelot: The Democratization of Chivalry in James Russell Lowell, Mark Twain, and Edward Arlington RobinsonKenney, Alice
1969-2Marriage and the Family in Modern Science FictionKenkel, William
1975-11The Case for Defoe’s Authorship of the Consolidator PamphletsKennedy, Joyce Deveau
2003-WinterThe Imperial Laboratory: Discovering Form in The New AtlantisKendrick, Christopher
1960-SpringAlienation and the Decline of UtopiaKeniston, Kenneth
2006Tendencies of Utopia: Reflections on Recent Work in the Modern Utopian TraditionKendrick, Christopher
1960-10-27David and Goliath. An Intellectual against the corruption of the 20th Century: A Study of the Political Ideas of George OrwellKendall, Walter
1985-Winter/SpringMore’s Utopia and Uneven DevelopmentKendrick, Christopher
1988-02U Utopia: Living in NowherelandKemp, Philip
2011-9/10Das Folgerecht: Wie die Kunst der Gegenwart ihre Zukunft sichertBohrer, Karl Heinz; Scheel, Kurt; Kemp, Wolfgang
1985-12Swing CityKemble, Roger
1976-11-11Earthsea and OthersKemball-Cook, Jessica
2013-SummerThe dream image, vision, wizardry, and erotic in Morris’s workKelvin, Norman
Collection's Items (Sorted by Submit Date in Descending order): 4521 to 4540 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.