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Collection's Items (Sorted by Submit Date in Descending order): 4741 to 4760 of 17595
Issue DateTitleAuthor(s)
2013-03Translation and the Development of Science Fiction in Twentieth-Century ChinaJiang, Qian
1948-2-13Utopia and the IncasJevons, Stanley
1975La Fête du changementJeury, Michel
1935-11-02Contemporary Models of Sir Thomas More; Utopia and the Socialist Inca EmpireJevons, Stanley
1990Paradise Through the Sands of Time: The Human Yearning for CommunityJeter, Kris
1999Splendide Mendax: Purposeful Misprision, Determinant Irony, in Gulliver’s TravelsJestin, Loftus
2002-SpringBlood, Genes, and Gender in Octavia Butler’s Kindred and DawnJesser, Nancy
1970Eros e utopiaJesi, Furio
2014The Use and Abuse of Racial Counterfactuals: Reimagining Emancipation in Alternate History and US Anti-Discrimination JurisprudenceBould, Mark; Paradoxa, Rhys Williams; Jerng, Mark
2011-06A World of Difference: Samuel R. Delany’s Dhalgren and the Protocols of Racial ReadingJerng, Mark Chia Yon
2008Power, Utopia, and the Manipulation of the Historical Consciousness: Perspectives from CollingwoodJenson, Michael
1981Utopier og moderne norsk byplanleggingJensen, Rolf
2008-04The Dao of Human Cloning: Utopian/Dystopian Hype in the British Press and Popular FilmsJensen, Eric
1987Aspetti cortesi ed utopistici nei personaggi della cornice del Decameron di Giovanni BaccaccioJensen, Kirsten Grubb
1988Utopia and Development In the Building of Socialism from Lenin to GorbachevJensen, Bent; Weil, Boris
2010The Comic Apocalypse of The Year of the FloodJennings, Hope
1890-12Review of Hertzka. FreilandJenks, Jeremiah
2001-08Progressive Utopias and Collectivist NightmaresJenkins, Philip
1996-11Naming the Beast: Contemporary Apocalyptic NovelsJenkins, Philip
1941-01Utopia Round the CornerJenkins, Alan
Collection's Items (Sorted by Submit Date in Descending order): 4741 to 4760 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.