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Collection's Items (Sorted by Submit Date in Descending order): 4941 to 4960 of 17595
Issue DateTitleAuthor(s)
1981-06William Morris: Medievalism and SocialismHussain, Skawkat
2016Archival Domination in Fahrenheit 451Hurtgen, Joseph
1943-10High John de ConquerHurston, Zora Neale
2004-SummerBlackout: Utopian Technologies in Adrienne Kennesy’s Funnyhouse of a NegroHurley, Erin
1986We Are the Dead: Day of the Triffids and Nineteen Eighty-FourHurst, L.
1982-07Utopian and Anti-Utopian Logic: H.G. Wells and His SuccessorsHuntington, John
1988-SummerWells and Social ClassHuntington, John
1987-08Sexism and Prostitution in Popular Science FictionHuntley, Alex
1995-AutumnThe Time Machine and Wells’s Social TrajectoryHuntington, John
1974-SpringThe Unity of Childhood’s EndHuntington, John
1982-11Remembrance of Things to Come: Narrative Technique in Last and First MenHuntington, John
1975-12Science Fiction and The FutureHuntington, John
1981-SummerOlaf Stapledon and the Novel of the FutureHuntington, John
1988-07Philip K. Dick: Authenticity and InsincerityHuntington, John
1975-11Public and Private Imperatives in Le Guin’s NovelsHuntington, John
2010The Music of Change: Utopian Transformation in Aufstieg und Fall der Stadt Mahagonny and Der SilberseeHunter, Robert
1987H.G. Wells: Problems of an Amorous UtopianHuntington, John
2004-01First Look: The Influence of H.G. Wells on Robert A. Heinlein’s For Us, The LivingHunter, Michael
2004-SpringUtopia, Maps and Ectasy: Configuring Space in Barrie Kosky’s 1996 Adelaide FestivalHunter, Mary Ann
1997-Winter‘A Question of Wholes': Spiritual Intersecting, Universal Re-Visioning in the Work of Doris LessingHunter, Melanie; McIntosh, Darby
Collection's Items (Sorted by Submit Date in Descending order): 4941 to 4960 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.