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Collection's Items (Sorted by Submit Date in Descending order): 5421 to 5440 of 17595
Issue DateTitleAuthor(s)
1980-08Science Fiction and the American DreamHardesty, William, III
1999-SummerMercenaries and Special Circumstances: Iain M. Banks’s Counter-Narrative of Utopia, Use of WeaponsHardesty, William, III
1973-AutumnCrystal Source: Herbert Read’s The Green ChildHarder, Worth
1995A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980sHaraway, Donna
1989Monkeys, Aliens, and Women: Love, Science, and Politics at the Intersection of Feminist Theory and Colonial DiscourseHaraway, Donna
1957-10The Intellectual as Social Reformer: Machiavelli and Thomas MoreHarbison, Harris
1947-06Melville Defends TypeeHaraszti, Zoltán
2004-SpringTheorizing (hetero) Sexuality and (Fe)Male DominanceHaran, Joan
1976A City is not a semilattice eitherHarary, F.; Rockey, J.
2005Limning the Impossible: Time Travel, the Uncanny and Destructive Futurity in H.G. Wells’s The Time MachineHarack, Katrina
1988-WinterUtopia as a Distancing DeviceHansot, Elisabeth
1994Selves, Survival, and Resistance in The Handmaid’s TaleHansot, Elisabeth
2012-03A German Hero for the Cold War: Wolfgang F. Henschel’s Alpha AlphaHantke, Steffen
1973-06The Once and Future Boss: Mark Twain’s YankeeHansen, Chadwick
2014Pop Goes Utopia: An Examination of Utopianism in Recent Electronic Dance PopHanson, Carter
2012-07Memory’s Offspring and Utopian Ambiguity in Ursula K. Le Guin’s ‘The Day Before the Revolution’ and The DispossessedHanson, Carter
2009-SpringThe Utopian Function of Memory in Lois Lowry’s The GiverHanson, Carter
1970-WinterThe Mythology of PerelandraHannay, Margaret
1969-10The Mythology of Out of the Silent PlanetHannay, Margaret
1970-AutumnArthurian & Cosmic Myth in That Hideous StrengthHannay, Margaret
Collection's Items (Sorted by Submit Date in Descending order): 5421 to 5440 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.