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Collection's Items (Sorted by Submit Date in Descending order): 5761 to 5780 of 17595
Issue DateTitleAuthor(s)
1988-03Rational Speculations in French Canada, 1839-1974Gouanvic, Jean Marc
1981-03Positions de l’histoire dans la science-fictionGouanvic, Jean Marc
1985-SummerLa famille en Utopie: quelques jalons anciens et modernesGouanvic, Jean Marc
1980-12L’utopie érotique de Jean-François SomcynskyGouanvic, Jean Marc
1985-12L’utopie en domaine français au Canada: aperçu historiqueGouanvic, Jean Marc
1984-11-171984 d’Orwell à la lumière de la science-fictionGouanvic, Jean Marc
1984-121984 à la lumière de la science-fiction moderneGouanvic, Jean Marc
1984Jean-Pierre April: entre la satire et le simulacreGouanvic, Jean Marc
1986-01/02Vers la science-fiction moderne: Rosny, Wells, Verne, RenardGouanvic, Jean Marc
1963Marxistischleninistischer Geschichtsbegriff und staats und rechtswissenschaftsliches ErbeGottschling, Ernst; Kunlaschke, Horst; Schröder, Horst
1986The Emblematic Background of Swift’s Flying IslandGottlieb, Sidney
1995The Satirical Masks of Utopia and Dystopia: A Discussion of the Two Film Versions of Orwell’s Nineteen Eighty-FourGottlieb, Erika
1979-10Der unversöhnliche Traum. Utopie in der Neuen Linken und in FrauenbewegungGöttner Abendroth, Heide
1962-03Utopia’s Children: An Interpretation of Three Political NovelsGottfried, Alex; Davidson, Sue
1992Orwell in the 1980sGottlieb, Erika
1980-SpringUtopianism of the Right: Maistre and SchlegelGottfried, Paul
2007-FallFrom Superhuman to Posthuman. The Gothic Technological Imaginary in Mary Shelley’s Frankenstein and Octavia Butler’s XenogenesisGoss, Theodora; Riqueime, John Paul
1992-06-04Utopia put in its placeGott, Richard
1984-01Political Allegory and Psychological Realism in Orwell’s 1984Gottlieb, Erika
1912Platos Staatslehre in der RenaissanceGothein, Eberhard
Collection's Items (Sorted by Submit Date in Descending order): 5761 to 5780 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.