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Collection's Items (Sorted by Submit Date in Descending order): 5901 to 5920 of 17595
Issue DateTitleAuthor(s)
2004-02Future PastGodfrey, Mark
2011-01Utopia of Pain: Adolescent Anxiety and the Ideology of Narrative in Robert A. Heinlein’s Starship TroopersGochenour, Phil
1976Inter-Galactic Zap: Women Invade Science FictionGoddard, Terri; Linewood, Marion
1965Comic in Micromégas as Expressive of ThemeGoberts, David
1971-WinterTeaching About Utopian Ideas and PracticesGobetz, G.; Frumkin, R.
1984Warnutopien un unsere GegenwartsliteraturGnüg, Hiltrud
2006No sertão do Maranhão, o império das Américas: Planos racionais de povoamento nos roteiros de viagem do Grão-Pará e Maranhão do séc. XVIIIGnerre, Maria Lucia Abaurre
2009-10Human/Nature: Ecological Philosophy in Margaret Atwood’s Oryx and CrakeGlover, Jayne
2009-SpringEcological Philosophy, Ethics and Fundamentalism in Ursula K. Le Guin’s The TellingGlover, Jayne
1986-AutumnBurroughs’ WesternGlover, David
1992Die politisierte Architektur: Zur Funktion von Architektur und Interieur in den Anti-Utopien des 20. JahrhundertsGlišovič, Dušan
1943Sutton E. Griggs: Novelist of the New NegroGloster, Hugh
1952-SummerAnti-Utopianism in Modern LiteratureGlicksberg, Charles
1984-08Orwell’s 1984 through Soviet eyesGlenny, Michael
1956-111984 or 1948?Gleckner, Robert
2005-12The Polyerite Episode in Relation to Book II of Utopia: A Preliminary StudyGleckman, Jason
2013H.G. Wells and ‘The Housing Problem’Glazzard, Andrew
1989-Winter‘What is Within is Now Seen Without’: Romanticism, Neuromanticism, and the Death of the Imagination in William Gibson’s Fictive WorldGlazer, Miriyam
1973-SummerThe Yogin and the Utopian: Nirvana and the Discovery of BeingGlass, James
1981‘Utopie und Gegen-Utopie’ Zu Sades Aline et ValcourGlaser, Horst Albert
Collection's Items (Sorted by Submit Date in Descending order): 5901 to 5920 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.