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Collection's Items (Sorted by Submit Date in Descending order): 6401 to 6420 of 17595
Issue DateTitleAuthor(s)
1987Futurecop: The Neutralization of Revolt in Blade RuFitting, Peter
2006Fredric Jameson and Anti-Anti-UtopianismMilner, Andrew; Ryan, Matthew; Savage, Robert; Fitting, Peter
1987For Men Only: A Guide to Reading Single-sex WorldsFitting, Peter
1983-03/04Fantasy and the Utopian ImaginationFitting, Peter
1996Buried Treasures: Reconsidering Holberg’s Niels Klim in the World UndergroundFitting, Peter
1994Beyond the Wasteland: A Feminist in CyberspaceFitting, Peter
1985-07‘So We All Became Mothers’: New Roles for Men in Recent Utopian Fiction.Fitting, Peter
2001Representing UtopiaFitting, Peter
2009-03A Short History of Utopian StudiesFitting, Peter
1996-WinterHow Green was my Utopia?: A Reflection on William Morris’s New from Nowhere, H.G. Wells’sMen Like Godsand Ernest Callenbach’sEcotopia.Fitch, Eric
1960 - SummerPlato’s Republicand Modern UtopianismFisher, Peter
1970-04Pouvoirs et politique dans la société industrielleFisichella, Domenico
1984-12Orwell’s SocialismFisk, Milton
1958-04The Pattern of Conservatism in Johnson’s Rasselasand Hawthorne’sTalesFisher, Marvin
2012-SummerPrecarious Dystopias: The Hunger Games,In Time, andNever Let Me Go.Fisher, Mark
1983-WinterTrouble in Paradise: The Twentieth-Century Utopian IdealFisher, Judith
2012Languages, Litanies, and the Limit: The Discourse of Mathematics in Neal Stephenson’s AnathemFisher, Douglas
1957-04Education for Citizenship: A Utopian Approach to General EducationFisher, James; Richter, Peyton
2000-01Expanding Democratic Choices: Schooling for Democracy: Toward a Critical UtopianismFeschman, Gustavo; McLaren, Peter
2008‘Everyone Belongs to Everyone Else’: The Influence of Brave New Worldon CinemaIzzo, David Garrett; Kirkpatrick, Kim; Fisher, James
Collection's Items (Sorted by Submit Date in Descending order): 6401 to 6420 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.