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Collection's Items (Sorted by Submit Date in Descending order): 6601 to 6620 of 17595
Issue DateTitleAuthor(s)
1991‘Abandon New York--Fall Back to Kansas City!’ The Invasion Myth in American CultureEsposito, David
2002-01Science Fiction in IsraelEshed, Eli
1971-10/12Aldous Huxley: A Bibliography, 1914-1964 (A Supplementary Listing)Eschelbach, Claire John; Marthaler, Joyce Shober
1965-08Die grossen Gehirne. Vom Computer in Utopien und WirklichkeitEschmann, Ernst Wilhelm
1985Science-fiction stricto-sensoEscarpit, Robert
1958Die Raumsucher; zur amerikanischen Literatur der Space-FictionEschmann, Ernst Wilhelm
1969-09Gespräch der Utopien. Bulwer und BellamyEschmann, Ernst Wilhelm
2012Sol libertà può farci forti, sagaci e lieti. Comunità e libertà in CampanellaErnst, Germana
2006-SpringUtopian Dreams and Harsh Realities: Who Is in Control of Assisted Reproductive Technologies in a High-Tech World?Erwin, Cheryl
1992-11-25Die Ambivalenz der Vernunft: Der Umschlag von der Utopie und die Anti-UtopieErzgräber, Willi
1969Ideologie und UtopieErmecke, Gustav
2006-WinterLe Guin and God: Quarreling with the One, Critiquing Pure ReasonErler, Rainer
2002-FallHerons, Ringtrees, and Mud: Ursula K. Le Guin’s The Eye of the HeronErlich, Richard; Perkins, Diana
2016-WinterClockworks 2: The Human/Machine Interface WikiErlich, Richard
1987-SummerUrsula K. Le Guin and Arthur C. Clarke on Immanence, Transcendence, and MassacresErlich, Richard; Perkins, Diana
1978-SummerOdysseus in Gray Flannel: The Heroic Journeys in Two Dystopias by Pohl and KornbluthErlich, Richard
2008Always Coming Home: Ethnography, unBible, and Utopian SatireErlich, Richard
1995-WinterInverting the Ideal World: Carnival and the Carnivalesque in Contemporary Utopian Science FictionErisman, Wendy
1981-10A Womb with a View: Domesticating the Fantastic in Pohl and KornbluthErlich, Richard; Perkins, Diana
1976The Utopia of St. Nicholas: The Present as PrologueErisman, Fred
Collection's Items (Sorted by Submit Date in Descending order): 6601 to 6620 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.