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Collection's Items (Sorted by Submit Date in Descending order): 741 to 760 of 17595
Issue DateTitleAuthor(s)
2008Cosmopolitanism, Blackness and Utopia: A Conversation with Paul GilroyShelby, Tommie
1987-FallThematic Consistency in the Work of Doris Lessing: The Marriage Between Martha Quest and Zones, Three, Four, and FiveSheiner, Marcy
1969-07Paradise and the Noble Savage in Jeffersonian ThoughtSheenan, Bernard
1999Of Lunacy and Sorrow: Comedy and Tragedy in James Morrow’s City of TruthSheehan, Bill
2013A Brave and Contrary Thing: Review of AfroSF: Science Fiction by African WritersBould, Mark; Shawl, Nisi
2010-06‘Abortions of the Market’: Production and Reproduction in News from NowhereShea, Daniel
1991-AutumnWilliam Morris and the Division of Labour: The Idea of Work in News from NowhereShaw, Christopher
1963-FallThe Only Soviet Literary Pleasant UtopiaShaw, Nonna
1893-08A Forgotten SocialismShaw, William
1984Burrough’s Theater of Illusion: Cities of the Red NightShaviro, Steven
2006-11Prophecies of the PresentShaviro, Steven
1984-101984 and the Rupture of DesireSharrock, Roger
1985Modern Architects Reconsidered. Utopian Engineering: Sir Owen William’s ‘New Architecture’Sharp, Dennis
2013Imhotep Hop vs. The White Jesus Armies of the Technofuture: Interview with Minister FaustBould, Mark; Sharp, Patrick
1967-12Forecasting Tomorrow’s WorldSharp, Dennis
1979-11Ngugui’s Apocalypse: Marxism, Christianity and African Utopianism in Petals of BloodSharma, Govind Narain
1981-01/05The Eldorado Episode in Voltaire’s CandideShanley, Mary Lyndon; Stillman, Peter
1972-12Communalism Versus the Nuclear Family: An Analysis of Alternative ModelsShanley, Brian
1984-08Orwell on LibertyShanker, S.
2002Gulliver’s Travels to the Centre of the Earth: Three Early Chinese Translations of Gulliver’s TravelsShan, Te-hsing
Collection's Items (Sorted by Submit Date in Descending order): 741 to 760 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.