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Collection's Items (Sorted by Submit Date in Descending order): 7441 to 7460 of 17595
Issue DateTitleAuthor(s)
1983Ideology for the Masses: Jack London’s The Iron HeelTavernier-Courbin, Jacqueline; Ward, Susan
1971Owen as Factory ReformerButt, John; Ward, J.
2013Voyage to Venus: Lewis’s Imaginative Path to PerelandraWolfe, Judith; Wolfe, Brendan; Ward, Michael
1983Big Brother Drives a BulldozerChilton, Paul; Aubrey, Crispin; Ward, Colin
1990An Old House Amongst New Folk: Making Nowhere SomewhereColeman, Stephen; O’Sullivan, Paddy; Ward, Colin
1973Animal FarmWarburg, Fredric
19841984Warburg, Fredric
1998From Petitions to Fictions: Visions of the Future Propagated in Early Modern ChinaPollard, David; Wang Xiaoming
1997Toward a New Utopia: A Postmodern Interpretation of Tao Yuanming’s ‘Tao Hua Yuan’Haga, Toru; Wang Ning
1981IntroductionWands, Joseph Miller; Wands, John Millar
1986The Theory of Climate in the English Renaissance and Mundus Alter et IdemMcFarlane, I.; Wands, John Millar
1984Orwells ‘1984’ im Englischunterricht der Sekundarstufe IILange, Bernd-Peter; Stuby, Anna Maria; Wandel, Reinhold
2012No Sugar Please! Modern Art as Veiled UtopiaGether, Christian; Høholt, Stine; Laurberg, Marie; Wamberg, Jacob
2015Introduction: ‘[It] was zero hour, you said Be Brave’: Tracing Atwood’s ApocalypsesWaltonen, Karma; Waltonen, Karma
1988George Orwell’s EnglandWalzer, Michael
2008Utopie et dystopie dans la littérature postcolonialeFortunati, Vita; Trousson, Raymond; Spinozzi, Paola; Walton, Robyn
1998Big Science: Dystopia and Utopia--Establishment and New Criminology RevisitedWatson, Paul; Walton, Paul
2001Spectators at the End of TimeBroderick, Damien; Walton, Jo
2005Une ballade inédite du XVe siècle sur l’homme sauvage: Édition, traduction et commentaireThomasset, Claude; James-Raoul, Danièle; Walter, Philippe
1987Das fünfte Gesicht der UtopieBraun, Hans-Jürg; Walter, Otto
Collection's Items (Sorted by Submit Date in Descending order): 7441 to 7460 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.