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Collection's Items (Sorted by Submit Date in Descending order): 8081 to 8100 of 17595
Issue DateTitleAuthor(s)
1977IntroductionSuvin, Darko; Philmus, Robert; Suvin, Darko
1980IntroductionSuvin, Darko
2010Introduction 2008: On Hollows, or an Alarmed DoorSuvin, Darko
1990Counter-Projects: William Morris and the Science Fiction of the 1880sBoos, Florence; Silver, Carole; Suvin, Darko
2010Cognition, Freedom, The Dispossessed as a Classic (2007)Suvin, Darko
2000Afterword: With Sober, Estranged EyesParrinder, Patrick; Suvin, Darko
1981Anticipating the Sunburst-Dream and Vision: The Exemplary Case of Bellamy and MorrisRoemer, Kenneth; Suvin, Darko.
1972Other Worlds, Other SeasSuvin, Darko; Suvin, Darko
1982‘Formal’ and ‘Sociological’ Analysis in the Aesthetics of the Science-Fiction NovelKonstatinović, Zoran; Rushner, Eva; Köpeczi, Béla; Suvin, Darko
1983Artifice as Refuge and World View: Philip K. Dick’s FociGreenberg, Martin Harry; Olander, Joseph; Suvin, Darko
2005War and Militarism in Science Fiction: A Select Bibliography of Criticism in English (With an Appendix on Italian Sources)Suvin, Darko; Proietti, Salvatore; Suvin, Darko
1968The Relation of Defoe’s Fiction to his Non-fictional WritingsSutherland, James
2003IntroductionSutton, Robert
1979American Science Fiction Since 1960Parrinder, Patrick; Sutherland, J.
2003‘Oligarchy of Elect Souls’: Alice Bailey’s New Age in contextSutcliffe, Steven
1986The Language of the Future in Victorian Science FictionSlusser, George; Rabkin, Eric; Sussman, Herbert
1968The Production of Art in the Machine Age: William MorrisSussman, Herbert
1968The Machine and the FutureSussman, Herbert
1968Victorians and the Machine: The Literary Response to TechnologySussman, Herbert
1965Geist der UtopieUnsled, Siegfried; Susman, Margarete
Collection's Items (Sorted by Submit Date in Descending order): 8081 to 8100 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.