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Collection's Items (Sorted by Submit Date in Descending order): 841 to 860 of 17595
Issue DateTitleAuthor(s)
2000Eighteenth-Century Utopianism: From the Potential to the ProbableSegal, Howard
1984-03/04Appropriate Visions: In Defense of Utopianism TodaySegal, Howard
1992-11-25Amerikanische Traume: Die technologischen utopisten der Neuen WeltSegal, Howard
1978-SummerAmerican Visions of Technological Utopias, 1883-1933Segal, Howard
1993-03America’s Technological UtopiansSegal, Howard
1983-FallUtopian FairsSegal, Howard
1985Science, science-fiction et sémantique des mondes possiblesSefler, George
2001-02-01Back to the Future from 1888: One Writer’s Vision of a Technological Utopia Has Stood the Test of TimeSegal, Howard
1987-FallThe Jacobin Mode in Early American Fiction: Gilbert Imlay’s The EmigrantsSeelye, John
1961-04Hobbes’ Leviathan and the Giantism Complex in the First Book of Gulliver’s TravelsSeelye, John
2001-09/10Drei Regelen für UtopistenBohrer, Karl Heinz; Scheel, Kurt; Seel, Martin
2011Ästhetik und Utopie. Überlegungen im Ausgang von Ernst Blochs Das Prinzip HoffnungSeel, Martin
1985Überwindung der Utopie: Versuch über William Morris (1834-1896)Seehase, Georg
1995-07The Postwar Jeremiads of Philip WylieSeed, David
1994-08The Flight from the Good Life: Fahrenheit 451 in the Context of Postwar American DystopiaSeed, David
2010-07The Course of Empire: A Survey of the Imperial Theme in Early Anglophone Science FictionSeed, David
1993-AutumnTake-over Bids: The Power Fantasies of Frederik Pohl and Cyril KornbluthSeed, David
1996-FallRecycling the Texts of the Culture: Walter M. Miller’s A Canticle for LeibowitzSeed, David
2003-03H.G. Wells and the Liberating AtomSeed, David
1993-SpringPush-Button Holocaust: Mordecai Roshwald’s Level 7Seed, David
Collection's Items (Sorted by Submit Date in Descending order): 841 to 860 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.