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Collection's Items (Sorted by Submit Date in Descending order): 8621 to 8640 of 17595
Issue DateTitleAuthor(s)
2002Natural knowledge in the New AtlantisPrice, Bronwen; Serjeantson, Richard
1979IntroduzioneSeroni, Adriano; Seroni, Adriano
1990Un Suisse au-dessus de toutes les utopies: Alain TannerSereau, Michel; Serceau, Michel
1989Les socialismes utopiques au jour . . . d’aujourd’huiSereau, Michel; Serceau, Michel
1988La personnage en ruptureSereau, Michel; Serceau, Michel
1987Le mythe de l’enfant sauvage et l’utopieSereau, Michel; Serceau, Michel
1985Annexe: Les 400 films citésSereau, Michel; Serceau, Michel
1986Le mythe du Bon Sauvage (de Flaherty à PerraultSereau, Michel; Serceau, Michel
1984Du messianisme prolétarien à la transformation des consciencesSereau, Michel; Serceau, Daniel
1983‘Ce qui m’intéresse dans l’utopie, ce n’est pas de savoir si elle réussit ou si elle échoue’. Entretien avec Jean-Louis ComolliSereau, Michel; Serceau, Daniel
1991Il Campo Marzio dell’antica Roma: una città tra storia e immaginazioneBernardini, Franca Fedeli; Serafini, Isabella
2005Funcionalidades de uma ‘Utopia’Vieira, Fátima; Serafim, João Carlos
2010La pratique artistique conçue comme la lise en œuvre d’une utopieBerthet, Dominique; Sentier
2010Die menschliche KomödieSorg, Reto; Würffel, Stefan Bodo; Senser, Armin
2007Straylight: William Gibson’s Gothic ImpulseYoke, Carl; Robinson, Carol; Senior, William
2010Sadhanbabu’s Friends: Science Fiction in Bengal from 1882 to 1974Ericka Hoagland; Reema Sarwal; Sengupta, Debjani
1999Die Wörlitzer Anlagen zwishen Englischem Landschaftsgarten und Bon-Sauvage-Utopie?Saage, Richard; Seng, Eva Marie; Seng, Eva-Marie
1997Ideal Spaces beyond the SeaHaga, Toru; Senda Minoru
2012A Parliament of Women: Dystopia in Nineteenth-century Bengali ImaginationBagchi, Barnita; Sen, Samita
1996IntroductionSemel, Jay; Wilcox, Annie Tremmel; Semel, Jay
Collection's Items (Sorted by Submit Date in Descending order): 8621 to 8640 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.