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Collection's Items (Sorted by Submit Date in Descending order): 8701 to 8720 of 17595
Issue DateTitleAuthor(s)
1982Aspekte und Probleme der neueren Utopiediskussion in der AnglistikVosskamp, Wilhelm; Seeber, Hans Ulrich and Walter Bachem
2008AngleterreFortunati, Vita; Trousson, Raymond; Spinozzi, Paola; Seeber, Hans Ulrich
1984An Immodest Proposal: ‘Animal Farm’Harris, Christopher; Sedley, Stephen
2002Jose Legaspi—’Mother, Utopia, Burning House’Seear, Lynne; Seear, Lynne
1982Utopie und DarwinismusPfister, Manfred; Sedlak, Werner
1977Les socialisme de l’utopieSédillot, René
1983Coercion, Force, Violence, and UtopiaKalleburg, Arthur; Moon, Donald; Sabia, Daniel, Jr.; Sederberg, Peter
2007Various Levels of Meaning in the Chapter Titles of Atlas ShruggedYounkins, Edward; Seddon, Fred
1993La Pseudoutopia del modello ciberneticaArrigo Colombo; Seclì, Giovanni
2007Atlas, Ayn, and Anarchy: A is A is A.Younkins, Edward; Sechrest, Larry
2008Introduction [to the section La sexualité, vecteur de l’utopie]Séchet, Raymonde
1996‘O colapso da modernização’, de Robert KurzMonteiro, John Manuel; Blaj, Ilana; Secco, Lincoln
1977IntroductionSeavey, Ormond
2004News from Somewhere: A Case for Romance-Tradition Fantasy’s Reformist PoeticBartter, Martha; Searsmith, Kelly
1975IntroductionSeavey, Ormond
1973Utopia and the Living LandscapeManuel, Frank; Sears, Paul
1939Edward BellamySeager, Allan
2013Gulliver’s Travels Serialized and ContinuedJuhas, Kirsten; Real, Hermann; Simon, Sandra; Seager, Nicholas
1982Autour de la thématique politique et de l’engagement dans la Littérature Portugaise. De l’Ultimatum au RégicidePereira, José Carlos Seabra
1997‘. . . Un popolo infelice non ha patria’. Politiche della felicita nel SettecentoConsarelli, Bruna; Di Penta, Nicola; Scuccimarra, Luca
Collection's Items (Sorted by Submit Date in Descending order): 8701 to 8720 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.