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Collection's Items (Sorted by Submit Date in Descending order): 881 to 900 of 17595
Issue DateTitleAuthor(s)
1994-10Practical Utopias: Pre-modern Communism and ReformationScribner, Bob
1969Some Reflexions on the Abbey of ThelemaScreech, M.
1993The Imagined City: From El Dorado to Carmen de ViedmaScovazzi, Emma
2002-03The Actress and Utopian Theatre Reform in Eighteenth-Century France: Riccoboni, Rousseau, and RestifScott, Virginia
1923-12The Prospects of FuturityScott, Samuel
1985Orwell’s LegacyScott, Nathan, Jr.
2006-11Octavia Butler and the Base for American SocialismScott, Jonathan
2011‘Politique’Scott, Dianne
2016-Spring/summer(Indigenous) Place and Time as Formal Strategy: Healing Immanent Crisis in the Dystopias of Eden Robinson and Richard Van CampScott, Conrad
2017A Comparison of Dystopian Nightmares and Utopian Dreams: Two Paths in Science Fiction Literature That Both Lead to Humanity’s Loss of Empathy.Scott, Alisha
1987-02Politics and Method in Mannheim’s ‘Ideology and Utopia’Scott, Alan
1979-01Tragedy in the State of Nature: Melville’s TypeeScorza, Thomas
1971Concerning Horses: Concerning ApesScobie, Steven
1983-WinterPrana and the Presbyterian Fixation: Ecology and Technology in Frank Herbert’s Dune TetralogyScigaj, Leonard
1984/1985The Technological Exploitation of Space: Bradbury’s Recension of the Turner Frontier Thesis in The Martian ChroniclesScijag, Leonard
1979L’utopia di CasanovaSciascia, Leonardo
1991-FallNo Word for Utopia?Scialabba, George
1971Naturwissenschatft und Technik im utopischen Denken der NeuzeitSchwonke, Martin
1962-07/08Einbahnstrasse zum Ameisenstaat? Zur Kritik der negativen Utopien vom totalitären EndzustandSchwonke, Martin
1985-FallRussell Hoban’s Riddley Walker and the Language of the FutureSchwetman, John
Collection's Items (Sorted by Submit Date in Descending order): 881 to 900 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.