Please use this identifier to cite or link to this item: http://arus.letras.up.pt/handle/123456789/104275
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dc.contributor.authorLeonard, Elisabeth Anne
dc.contributor.editorGant-Britton, Lisbeth
dc.coverage.spatialWestport, CT
dc.date.accessioned2018-04-09T18:38:39Z-
dc.date.available2018-04-09T18:38:39Z-
dc.date.issued1997
dc.identifier.citationGant-Britton, Lisbeth. “Exploring Color Coding at the Beginning and End of the Twentieth Century in Ursula K. Le Guin’s The Left Hand of Darkness and Joseph Conrad’s Heart of Darkness.” Into Darkness Peering: Race and Color in the Fantastic. Ed. Elisabeth Anne Leonard (Westport, CT: Greenwood Press, 1997), 35-55.
dc.identifier.urihttp://arus.letras.up.pt/jspui/handle/123456789/104275-
dc.format.extent35-55
dc.language.isoen
dc.publisherGreenwood Press
dc.relation.ispartofSocialisme utopique et architecture au XIXe siècle
dc.titleExploring Color Coding at the Beginning and End of the Twentieth Century in Ursula K. Le Guin’s The Left Hand of Darkness and Joseph Conrad’s Heart of Darkness
dc.typeBook chapter
Appears in Collections:Utopia

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