Please use this identifier to cite or link to this item: http://arus.letras.up.pt/handle/123456789/104342
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dc.contributor.authorVieira, Fátima
dc.contributor.editorGawrońska, Zuzanna
dc.coverage.spatialNewcastle on Tyne, Eng.
dc.date.accessioned2018-04-09T18:39:27Z-
dc.date.available2018-04-09T18:39:27Z-
dc.date.issued2013
dc.identifier.citationGawrońska, Zuzanna. “Clashing Tones, Harmonising Concepts: Utopian and Antiutopian Motifs in Stanislaw Lem’s Writings.” Dystopia(n) Matters: On the Page, on Screen, on Stage. Ed. Fátima Vieira (Newcastle on Tyne, Eng.: Cambridge Scholars Publishing, 2013), 164-74.
dc.identifier.urihttp://arus.letras.up.pt/jspui/handle/123456789/104342-
dc.format.extent164-74
dc.language.isoen
dc.publisherCambridge Scholars Publishing
dc.relation.ispartofIn Religion in Geschichte und Gegenwart
dc.titleClashing Tones, Harmonising Concepts: Utopian and Antiutopian Motifs in Stanislaw Lem’s Writings
dc.typeBook chapter
Appears in Collections:Utopia

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