Lyman Tower Sargent Bibliography
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http://arus.letras.up.pt/handle/123456789/104492Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Vieira, Fátima | |
| dc.contributor.author | Freitas, Marinella | |
| dc.contributor.editor | Goldbach, Karl Traugott | |
| dc.coverage.spatial | Porto, Portugal | |
| dc.date.accessioned | 2018-04-09T18:41:58Z | - |
| dc.date.available | 2018-04-09T18:41:58Z | - |
| dc.date.issued | 2005 | |
| dc.identifier.citation | Goldbach, Karl Traugott. “Utopian Music: Music History of the Future in Novels by Bellamy, Callenbach and Huxley.” Utopia Matters: Theory, Politics, Literature and the Arts. Ed. Fátima Vieira and Marinella Freitas (Porto, Portugal: Editora da Universidade do Porto, 2005), 237-43. Brief Discussions of the three authors stressing that in Bellamy, although everyone sings and some play instruments for their own entertainment, “radio” has made professional musicians readily available and there are few amateur groups, in Callenbach amateurism is encouraged, and in Huxley music is part of social control. | |
| dc.identifier.uri | http://arus.letras.up.pt/jspui/handle/123456789/104492 | - |
| dc.description | Brief Discussions of the three authors stressing that in Bellamy, although everyone sings and some play instruments for their own entertainment, “radio” has made professional musicians readily available and there are few amateur groups, in Callenbach amateurism is encouraged, and in Huxley music is part of social control. | |
| dc.format.extent | 237-43 | |
| dc.language.iso | en | |
| dc.publisher | Editora da Universidade do Porto | |
| dc.title | Utopian Music: Music History of the Future in Novels by Bellamy, Callenbach and Huxley | |
| dc.type | Book chapter | |
| Appears in Collections: | Utopia | |
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