Lyman Tower Sargent Bibliography
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http://arus.letras.up.pt/handle/123456789/105952Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.editor | Kramer, Lawrence | |
| dc.coverage.spatial | Berkeley | |
| dc.date.accessioned | 2018-04-09T19:07:03Z | - |
| dc.date.available | 2018-04-09T19:07:03Z | - |
| dc.date.issued | 1990 | |
| dc.identifier.citation | Kramer, Lawrence. “Beethoven’s Two-Movement Piano Sonatas and the Utopia of Romantic Esthetics.” In his Music as Cultural Practice, 1800-1900 (Berkeley: University of California Press, 1990): 21-71. Shorter version originally published as “Expressive Doubling: Beethoven’s Two-Movement Piano Sonatas and Romantic Literature.” Studies in Romanticism 27.2 (Summer 1988): 175-201. | |
| dc.identifier.uri | http://arus.letras.up.pt/jspui/handle/123456789/105952 | - |
| dc.description | Shorter version originally published as “Expressive Doubling: Beethoven’s Two-Movement Piano Sonatas and Romantic Literature.” Studies in Romanticism 27.2 (Summer 1988): 175-201 | |
| dc.format.extent | 21-71 | |
| dc.language.iso | en | |
| dc.publisher | University of California Press | |
| dc.relation.ispartof | French Essays on Shakespeare and His Contemporaries: “What would France with Us?” | |
| dc.title | Beethoven’s Two-Movement Piano Sonatas and the Utopia of Romantic Esthetics | |
| dc.type | Book chapter | |
| Appears in Collections: | Utopia | |
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