Please use this identifier to cite or link to this item: http://arus.letras.up.pt/handle/123456789/106034
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dc.contributor.authorKutzbach, Konstanze
dc.contributor.authorMueller, Monika
dc.contributor.editorKutzbach, Konstanze
dc.date.accessioned2018-04-09T19:09:11Z-
dc.date.available2018-04-09T19:09:11Z-
dc.date.issued2007
dc.identifier.citationKutzbach, Konstanze. “The Two-. . ., One-. . ., None-Sex Model: The Flesh(-)Made Machine in Herman Melville’s ‘The Paradise of Bachelors and the Tartarus Maids’ and J.G. Ballard’s Crash.” The Abject of Desire: The Aestheticization of the Unaesthetic in Contemporary Literature and Culture. Ed. Konstanze Kutzbach and Monika Mueller (Amsterdam, The Netherlands: Rodopi, 2007), 181-96.
dc.identifier.urihttp://arus.letras.up.pt/jspui/handle/123456789/106034-
dc.format.extent181-96
dc.language.isoen
dc.titleThe Two-. . ., One-. . ., None-Sex Model: The Flesh(-)Made Machine in Herman Melville’s ‘The Paradise of Bachelors and the Tartarus Maids’ and J.G. Ballard’s Crash
dc.typeBook chapter
Appears in Collections:Utopia

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