Please use this identifier to cite or link to this item: http://arus.letras.up.pt/handle/123456789/106442
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dc.contributor.authorVernadakis, Emmanuel
dc.contributor.authorWoodroffe, Graham
dc.contributor.editorLoBrutto, Vincent
dc.coverage.spatialAngers, France
dc.date.accessioned2018-04-09T19:15:13Z-
dc.date.available2018-04-09T19:15:13Z-
dc.date.issued2003
dc.identifier.citationLoBrutto, Vincent. “Based on the Novel by Anthony Burgess’ or: How Stanley Kubrick Cinematically Created a Faithful Adaptation of A Clockwork Orange By Making It His Own” [The title in the Table of Contents is “Stanley Kubrick’s A Clockwork Orange”] In Portraits of the Artist in A Clockwork Orange: Papers and Music from the Anthony Burgess Centre’s International Symposium ‘The Avatars of A Clockwork Orange’ December 7-8, 2001. Ed. Emmanuel Vernadakis and Graham Woodroffe (Angers, France: Presses de l’Université d’Angers, 2003), 145-59. L
dc.identifier.urihttp://arus.letras.up.pt/jspui/handle/123456789/106442-
dc.format.extent145-59
dc.language.isoen
dc.publisherPresses de l’Université d’Angers
dc.relation.ispartofFrancis Bacon’s New Atlantis: New Interdisciplinary Essays
dc.titleBased on the Novel by Anthony Burgess’ or: How Stanley Kubrick Cinematically Created a Faithful Adaptation of A Clockwork Orange By Making It His Own
dc.typeBook chapter
Appears in Collections:Utopia

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