Please use this identifier to cite or link to this item: http://arus.letras.up.pt/handle/123456789/106533
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dc.contributor.editorLyman, Stanford
dc.coverage.spatialFayetteville
dc.date.accessioned2018-04-09T19:16:10Z-
dc.date.available2018-04-09T19:16:10Z-
dc.date.issued2001
dc.identifier.citationLyman, Stanford M. “Cinematic Ideologies and Societal Dystopias: Filmmaking in the United States, Japan, Germany, and the Soviet Union, 1900-1996.” In his Roads to Dystopia: Sociological Essays on the Postmodern Condition (Fayetteville: University of Arkansas Press, 2001), 221-51
dc.identifier.urihttp://arus.letras.up.pt/jspui/handle/123456789/106533-
dc.format.extent221-51
dc.language.isoen
dc.publisherUniversity of Arkansas Press
dc.relation.ispartofIn Dreams Awake; A Historical-Critical Anthology of Science Fiction
dc.titleCinematic Ideologies and Societal Dystopias: Filmmaking in the United States, Japan, Germany, and the Soviet Union, 1900-1996.
dc.typeBook chapter
Appears in Collections:Utopia

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